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Yazdani Iranian freestyle wrestler wins gold medal in Rio 2016/ Photo+Video

Yazdani Iranian freestyle wrestler wins gold medal in Rio 2016/ Photo+Video

Iranian wrestler Hassan Yazdani won finals of Men’s freestyle 74 kg over his Russian rival to add one more gold medal to Iran’s tally.

Competing in the final encounter of 74kg weight division, Yazdani offered a spellbinding performance against Aniuar Geduev of Russia 6-6 to win the first freestyle Olympic gold medal for Iran in 16 years.

The Persian freestyler had struck an off draw in the qualifications while he smoothly breezed past Asnage Castelly of Haiti in Round of 16. Later, Yazdani thrashed the Turkish wrestler Soner Demirtaş 3-0 in the quarterfinals and had to quell Kazakhstan’s Galymzhan Usserbayev 4-0 in order to reach the final round undefeated.

Video: Final Match 74 KG freestyle,  Hassan Yazdani vs Aniuar Geduev

Iran’s last freestyle gold medal in Olympic Games had been snatched by Alireza Dabir in Sydney 2000 and now Hassan Yazdani has broken the long-lasing spell by winning the title in Rio 2016.

Meanwhile, Iran’s representative at Men’s freestyle 57 kg wrestling event managed to stand on the third podium after beating Yowlys Bonne from Cuba 5-0 in a bronze medal match.

Photo Report: Hassan Yazdani in Rio 2016 Olympic Games

Rahimi, after a first round off draw, had overcome Armenia’s Garnik Mnatsakanyan 4-0 in his opening contest before gaining the upper hand against the Russian rival Viktor Lebedev 3-1 in the quarterfinals. Rahimi, however, conceded a defeat against Rei Higuchi of Japan 1-3 in the semifinals and was given the chance to fight for bronze in the losers’ group.

Yazdani’s gold, added to six other medal bagged earlier by Iranian athletes, has improved Iran’s position to the 25th place in the medal standings table between Argentina and Ukraine. /MNA

Video: Medal ceremony of Hassan Yazdani in Rio 2016 Olympic

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Shahsevan nomad women

Shahsevan nomad women

Kind women of Shahsevan nomadic tribes play key role in the economic life of their community, usually hosted by Sabalan outskirts during spring and summer. Photo: MNA

 

SHAHSEVAN (Šāhsevan), name of a number of tribal groups in various parts of northwestern Iran, notably in the Moḡān and Ardabil districts of eastern Azerbaijan and in the Ḵaraqān and Ḵamsa districts between Zanjān and Qazvin. Most of the latter groups also originated in Moḡān (see DAŠT-e MOḠĀN), where Shahsevan ancestors were located during Safavid times.

The Shahsevan traditionally pursued a nomadic pastoral way of life, migrating between winter pastures near sea-level in Moḡān and summer quarters 100-200 km to the south on the Sabalān (or Savalan) and neighboring ranges, in the districts of Ardabil, Meškin, and Sarāb. The nomads formed a minority of the population in this region, though, like the settled majority, whom they knew as Tāt, they were Shiʿi Muslims, and spoke Turkish.

Unlike the Baḵtiāri and the Qašqāʾi of the Zagros, the Shahsevan lived in an accessible and much-frequented frontier zone. The fertile Moḡān steppe, extensively irrigated in mediaeval times, was the site chosen by Nāder Shah Afšār (in 1736) and Āḡā Moḥammad Khan Qajar (in 1796) for their coronations. Shahsevan summer pastures, surrounded by rich farmlands, lay between Ardabil, a historically important shrine city and trade centre, and Tabriz, capital of several past rulers. Grain, fruit, wool and meat from the region have long been widely marketed. Raw silk produced in the neighboring provinces of Gilān and Shirvan figured prominently in international trade passing through or near Shahsevan territory. Control of these resources was a major motivation for conquest: since the 16th century, Persian, Ottoman, and Russian and Soviet forces claimed or occupied Shahsevan territory on several occasions each. In such a location, Shahsevan relations with governments have taken a different course from those of the Zagros tribes.

Origins and history. Shahsevan history since the early 18th century is fairly well documented, but their origins remain obscure. Turkic identity and culture are overwhelmingly dominant among them, though the ancestors of several component tribes were of Kurdish or other origins. Apart from their frontier location and history, they differ from other nomadic tribal groups in Iran in various aspects of their culture and social and economic organization. Most distinctive is their tent-hut, the hemispherical, felt-covered alačıq. This dwelling and other cultural features can be traced to the Ḡozz Turkic tribes of Central Asia that invaded Southwest Asia in the 11th century C.E.

The Shahsevan were a collection of tribal groups brought together in a confederacy some time between the 16th and the 18th centuries. Most discussions of the term Shahsevan refer to its original meaning as extreme personal loyalty and religious devotion to the Safavid kings.

By the 20th century, the Shahsevan had acquired three rather different versions of their origins. The best known is that they were a new tribe formed as part of the military and tribal policies of the Safavid rulers. This is based on a passage in Sir John Malcolm’s History of Persia (London, 1815, I, p. 556), to the effect that Shah Abbas I (1587-1629) formed a special composite tribe of his own under the name of Shahsevan, in order to counteract the turbulence of the rebellious qezelbāš chiefs, who had helped his ancestor Shah Esmāʿil to found the Safavid dynasty a century earlier. Vladimir Minorsky, in his article “Shāh-sewan” in EI1, noted that “the known facts somewhat complicate Malcolm’s story” and that the references in contemporary Safavid chronicles did not amount to evidence that “a single regularly constituted tribe was ever founded by Shāh ʿAbbās under the name of Shāh-sewan.” In later readings of Malcolm’s account, the Shahsevan appear as a personal militia, a royal guard, and there is some evidence for the existence of a military corps named Shahsevan in the mid-17th century.

Minorsky drew attention to the writings of several Russian officials who recorded the traditions of the Shahsevan of Moḡān with whom they were in contact during the 19th century. These traditions, which differ from but do not contradict Malcolm’s story, vary in detail, but agree that Shahsevan ancestors came from Anatolia, led by one Yünsür Pasha. They present the Shahsevan tribes as ruled by paramount chiefs (elbey/ilbegi) descended from Yünsür Pasha, and as divided between chiefly beyzadä (beg-zāda; descendants of the original immigrants) and commoners (hampā or rayät/raʿiyat). They refer to an original royal grant of pastures in Ardabil and Moḡān, and to the contemporary royal appointment of the chiefs. These legends, presumably originating with the chiefs, legitimate both their authority over the commoners and their control of the pastures, the most important resource for all their nomad followers. This writer heard similar legends in the 1960s from descendants of former elbeys.

This second version of Shahsevan origins gave way in the 20th century to both the first version and a third, commonly articulated among the ordinary tribesmen and in modern writings on them. In the third version the Shahsevan are thirty-two tribes (otuz-iki tayfa/ṭāyefa), all of equal status, and no mention of paramount chiefs is made. The basis of this story is obscure, but it may refer to the presumed origin of the Shahsevan from among the 16th-17th-century qezelbāš tribes, which in some accounts also numbered thirty-two.

Safavid sources published to this date provide no historical evidence for Malcolm’s story, which is based on a misreading of chronicle sources. Nevertheless, most historians, Iranian and foreign, have adopted it, and it has been assimilated through modern education into Iranian and even current Shahsevan mythology. Among recent writers on the Safavids, only a few acknowledge the doubts about Malcolm’s story; some refrain from comment on Shahsevan origins, others, while referring to Minorsky’s and sometimes this writer’s investigations, ignore the conclusions and reproduce the old myth as historical fact (see Tapper, 1997, pt. I).

Neither the first nor the second versions of Shahsevan origins can be fully documented. Sixteenth-century sources do record tribal groups and individuals in the Moḡān region bearing the names of later Shahsevan component tribes. By the late 17th century the name Shahsevan, often as a military title in addition to qezelbāš tribal names such as Afšār and Šāmlu (and Šāmlu components such as Beydili/Begdeli, Inallı/Ināllu, Ajirli/Ajirlu), is associated with Moḡān and Ardabil. Other prominent tribes in the region were the qezelbāš Takile/Tekeli, and the Kurdish Šaqāqi and Moḡāni/Moḡānlu. But there is no firm evidence of a unified Shahsevan tribe or confederacy as such until the following century.

In the 1720s, with the rapid fall of the Safavid dynasty to the Afghans at Isfahan, and Ottoman and Russian invasions in northwest Persia, for several crucial years Moḡān and Ardabil were at the meeting point of three empires. The tribal groups of this frontier region were thrust into a political role for which they would have been ill-prepared by decades of peace. Records for those years, the first that mention Shahsevan activities in any detail, depict them as loyal frontiersmen, struggling to resist the Ottoman invaders and to defend the Safavid shrine city of Ardabil, especially in the campaigns of 1726 and 1728. Ottoman armies crushed the Šaqāqi in Meškin in autumn 1728, and then in early 1729 cornered the other tribes in Moḡān. Leaving the Ināllu and Afšar to surrender to the Ottomans, the Shahsevan and Moḡānlu crossed the Kura/Kor river to Salyan to take refuge with the Russians, under the leadership of ʿAliqoli Khan Shahsevan, a local landowner.

When Nāder Shah Afšār recovered the region in 1732, the Shahsevan and Moḡānlu returned to Iranian sovereignty. The Šaqāqi, Ināllu and Afšār who had been defeated by the Ottomans were among numerous tribes Nāder exiled to his home province, Khorasan. After his death (1747), the Šaqāqi returned to settle around Miāna, Sarāb, and Ḵalḵāl, and the Ināllu and Afšār (both now bearing the name Shahsevan too) to the Ḵaraqān, Ḵamsa, and Ṭārom regions south and southeast of Ardabil. One of Nāder’s assassins, Musā Beg Shahsevan, was apparently from the Afšār who settled in Ṭārom.

Nāder Shah seems to have formed the tribes remaining in Moḡān and Ardabil into a unified and centralized confederacy under Badr Khan Shahsevan, one of his generals in the Khorasan and Turkestan campaigns. Possibly son of ʿAliqoli Khan, Badr Khan is linked by the later traditions with Yünsür Pasha, and his family, the Sarı-ḵanbeyli  (Sāru-ḵānbeglu), probably came from the Urmia Afšārs. Shahsevan chiefly tribes such as Qojabeyli, ʿIsālı, Balabeyli, Mast-ʿAlibeyli, ʿAli-Babalı, Polatlı, Damirčili, traced cousinship with the Sarı-ḵānbeyli Afšār. Many of the commoner tribes (such as Ajirli and Beydili) bear names indicating Šāmlu origins.

In the turbulent decades after Nāder’s death, Badr Khan’s son (or brother?) Nażar ʿAli Khan Shahsevan governed the city and district of Ardabil. Shahsevan khans participated actively in the political rivalries and alliances of the time, involving the semi-independent neighboring khans of Qara Dagh, Qara Bagh, Qobba, Sarāb and Gilān, the Afšār, Afghan, Zand, and Qajar tribal rulers of Iran, and agents and forces of the Russian Empire. By 1800 the Sarı-ḵānbeyli family had split, dividing the Shahsevan into two confederacies, associated with the districts of Ardabil and Meškin.

Under the early Qajars, the two wars with Russia raged across Shahsevan territory and resulted in the loss of the best part of their winter quarters in Moḡān, and considerable movements of tribes southwards. The khans of Ardabil, notably Nażar ʿAli Khan’s (?) nephew Farajallāh Khan and grandson, also called Nażar ʿAli Khan, despite deposition from the governorship in 1808, generally supported the Qajars; their cousins and rivals, the khans of Meškin, especially ʿAṭā Khan and his brother Šükür (Šokrallāh) Khan, eventually accommodated the Russian invaders.

For some decades after the Treaty of Turkmanchai (1828) Russia permitted Shahsevan nomads limited access to their former pasturelands in Moḡān, but they failed to observe the limitations. The Russians wished to develop their newly acquired territories, and for this and other more strategic reasons found Shahsevan disorder on the frontier a convenient excuse for bringing moral and political pressure to bear on the Persian government, insisting that they restrain or settle the “lawless” nomads. Persian government policy towards the tribes varied from virtual abdication of authority to predatory punitive expeditions, and an attempt in 1860-61 at wholesale settlement.

The mid-19th century is the first period for which there is any detailed information on Shahsevan tribal society: the main sources are the reports of Russian officials, especially Moḡān frontier Commissioner I. A. Ogranovich and Tabriz Consul-general E. Krebel, though Keith Abbott, British Consul-general in Tabriz, is also informative.

By this time most of the Ardabil tribes, like their elbeys, were already settled. Most of the Meškin tribes, however, despite the brief forced settlement of 1860-61 and the famine and bad winters of 1870-72, remained nomadic; but their elbeys too, especially ʿAṭā Khan’s son Farżi Khan (between 1840 and 1883) and his son ʿAliqoli Khan (1883-1903), had settled bases and soon lost overall control of the nomads. Both elbey families had marriage ties with the Qajar kings, and several members served at court or as military officers.

No longer a unified confederacy with a dynastic central leadership, Shahsevan tribal structure reformed on new principles. Weaker tribes clustered around a new elite of warrior chiefs of the Qojabeyli (notably Nurullāh Bey), ʿIsālu, Ḥāj-ḵojalu and Geyikli tribes in Meškin, and the Polatlı and Yortči in Ardabil. A shifting pattern of rivalries and alliances extended into neighboring regions, involving the powerful chiefs of the Alarlu tribe of Ojarud, the Šatranlu (an offshoot of the Šaqāqi) of Ḵalḵāl, and the Čalabianlu and Ḥāj-ʿAlilu of Qara Dagh.

Russia finally closed the Moḡān frontier to the Shahsevan in 1884. The winter pasturelands in Persia were redistributed among the tribes, but the Moḡān and Ardabil region and the nomads confined there underwent a drastic social and economic upheaval, whose causes were to be found not simply in the closure but also in the behavior of administrative officials. The Shahsevan, numbering over ten-thousand families, were virtually independent of central government for nearly four decades, known as khankhanlıkh or ashrarlıkh, the time of the independent khans or rebels. Although some, such as Moḡānlu, the largest tribe, pursued a pastoral life as best they could, for most nomads life was dominated by insecurity and increasing banditry and vendettas between the warriors of the chiefly retinues.

Russian officials give a detailed and depressing picture of the upheaval, without appreciating or admitting the degree to which their 19th-century rivalry with Britain was responsible for both the frontier situation and the abuses of the Persian administration. V. Markov, concerned only to justify Russian actions and their benefits to the inhabitants of Russian Moḡān, having narrated in detail the events leading up to the closure, does not consider its effects on the Persian side. L. N. Artamonov, however, conducted a military-geographical survey of the region in November 1889, a year after Markov, and was shocked at the poverty and oppression of the peasantry and the obvious distress and disorder suffered by the nomads as a result of the closure. In 1903, Colonel L. F. Tigranov of the Russian General Staff published an informative and perceptive account of the economic and social conditions of the Ardabil province and of the nomad and settled Shahsevan. The detailed reports of Artamonov and Tigranov, although clearly to an extent influenced by political bias, are corroborated by other sources, including accounts recorded by this writer among elderly Shahsevan in the early 1960s.

The Shahsevan reached the heyday of their power and influence in the first decades of the 20th century. They were involved in various important events during the Constitutional Revolution and the years leading to the rise of Reza Shah. In spring 1908, border clashes between Russian frontier guards and Shahsevan tribesmen near Belasovar provided the Russians with a pretext for military intervention in Azerbaijan on a scale that hastened the fall of the Constitutionalist government in Tehran. During the winter of 1908-09, a few Shahsevan joined the Royalist forces besieging Tabriz. In late 1909, while the new nationalist government struggled to establish control of the country, most of the Shahsevan chiefs joined Raḥim Khan Čalabianlu of Qara Dagh and Amir ʿAšāyer Šatranlu of Ḵalḵāl in a union of tribes of eastern Azerbaijan, proclaiming opposition to the Constitution and the intention of marching on Tehran to restore the deposed Moḥammad ʿAli Shah. They plundered Ardabil, receiving wide coverage in the European press, but were defeated soon after by nationalist forces from Tehran under Epʿrem Khan. Subsequent Shahsevan harrying of Russian occupying forces at Ardabil led to a major campaign against them in 1912 by 5,000 troops under General Fidarov, who after many reverses succeeded in rounding up most of the tribes and depriving them of half their property. Despite this catastrophe, remembered in the 1960s as bölgi-yılı, the year of division, Shahsevan warriors continued their guerrilla resistance. During World War I, they were wooed in turn by Russian, Turkish, and British forces. Until the restoration of central government authority under Reza Khan, the Shahsevan chiefs usually controlled the region, pursuing their local ambitions and rivalries, focused on the city of Ardabil and smaller urban centers, and uniting only to oppose Bolshevik incursions in 1920-22. Prominent among the chiefs (those of Ojarud, Qara Dagh, Sarāb, and Ḵalḵāl were now generally talked of as Shahsevan too) were Bahrām Qojabeyli, Amir Aṣlān ʿIsālu, Javād Ḥāj-ḵojalu, Faraj Geyikli, Najafqoli Alarlu, Amir Aršad Ḥāj-ʿAlilu, Naṣrallāh Yortči, Amir ʿAšāyer Šatranlu, and his sister ʿAẓamat Khānom, chief of the Polatlu.

During the winter and spring of 1922-23 the Shahsevan were among the first of the major tribal groups to be pacified and disarmed by Reza Khan’s army.  Under the Pahlavis, the tribes were integrated within the new nation-state as equal units under recognized and loyal chiefs. In 1927 the actions of the new gendarmerie provoked a brief revolt, led by Bahrām Qojabeyli. In the mid-1930s, Reza Shah’s brutally enforced settlement of nomads caused considerable economic and social destitution, and was soon abandoned. In 1941, many Shahsevan resumed migrations and revived a loose tribal confederacy, causing trouble to the Soviet occupation forces and the subsequent Democrat regime of 1946.

The disastrous winter of 1948-49 led to a new irrigation scheme in Moḡān, and settlement of the nomads remained an axiom of government policy. From 1960, a series of measures broke down the tribal organization, while pastoralism suffered a sharp decline. The chiefs were dismissed, and the Land Reform not only deprived many chiefs of their power base but nationalized the range-lands and opened them to outsiders. Forced to apply for permits for their traditional pastures, and increasingly using trucks in place of camels for their migrations, the pastoralists were drawn into national and wider economic and political structures. More extensive irrigation works and agro-industrial schemes were inaugurated in Moḡān, which, together with the expansion of farming in the southern highlands, further reduced the pasturelands and increased the rate of settlement.

The revolution of 1978-79 was largely an urban phenomenon. Shahsevan nomads themselves played little part, but settled tribespeople participated in events in towns such as Meškinšahr, Pārsābād, Belasovar and Germi, and in strikes at the Agro-Industry Company in Moḡān. A few former chiefs were killed in these events, others went into exile. As part of the new regime’s rejection of anything to do with monarchy, the Shahsevan were officially renamed Elsevan, “those who love the people (or tribe),” but the new name was not widely accepted and by 1992 it was no longer widely used officially. Pastoral nomadism experienced a modest revival among the Shahsevan, as elsewhere in Iran, such that in the Socio-economic Census of Nomads of 1986 the Shahsevan numbered nearly 6,000 families, as they had in the mid-1960s. At the same time, settlement has continued, following the inexorable spread of various government-supported developments in Moḡān. By the end of the century, Shahsevan pastoral nomadism did not seem likely to survive much longer.

Economic and social organization of the Moḡān Shahsevan. In each alačıq lives a household of, on average, seven to eight people. In the 1960s, groups of three to five closely related nomad households co-operated in an oba, a herding unit that formed a summer camp between June and early September, but joined with others to form a winter camp of ten to fifteen households between November and April. Two or three such winter camps, linked by agnatic ties between the male household heads as a lineage (göbak), would form a tribal section (tira). The section was usually also a community (jamahat/jamāʿat), which moved as a unit during the migrations in May and October, and performed many religious ceremonies jointly. Every group, from herding unit to community, was led by a recognized elder (aq-saqal). The tribe (tayfa), comprising from two to over twenty sections and from fifty to nearly 1,000 households, was a larger community, members of which felt themselves different in subtle ways from members of other tribes. Few contacts, and only one in ten marriages, were made between tribes. In the mid-20th century, the Shahsevan confederacy (el/il) was a loosely organized collection of some forty tribes. After the dismissal of the chiefs, government attempted to deal directly with the sections and their elders, who, as a result, were often younger men, from the wealthiest family in the community, who had the skills and resources to deal with the authorities. But the tribe continued to be important, and remained the main element in Shahsevan identity, nomadic or settled.

Perhaps the most important distinguishing feature of the Shahsevan was their system of grazing rights. Where other nomads operated some type of communal access to grazing, the Shahsevan developed an unusual system whereby individual pastoralists inherited, bought or rented known proportions of the grazing rights to specific named and bounded pastures, although in practice members of a herding unit would exploit their rights jointly. This system was formally invalidated by the nationalization of the pastures in the 1960s, but continued to operate informally at least until the 1990s.

Shahsevan nomads traditionally raised flocks of sheep and goats, the former for milk and milk products, wool, and meat, the latter only in small numbers, mainly as flock leaders. They used camels, donkeys, and horses for transport. Most families raised chickens for eggs and meat, and a few kept cows. Every family had several fierce dogs, to guard the home and the animals against thieves and predators. Bread was their staple food. Some nomads had some settled relatives with whom they cooperated in a dual economy, sharing or exchanging pastoral for agricultural produce. Most, however, sold milk, wool and surplus animals to tradesmen in order to obtain wheat flour and other supplies. Some worked as hired shepherds, paid 5 percent of the animals they tended for every 6-month contract period. Others went to towns and villages seasonally for casual wage-labor. Itinerant peddlers visited most days, but householders went on shopping expeditions to town at least twice a year, e.g. during the migrations. Most purchases were made on credit, against next season’s pastoral produce. The wealthiest nomads raised flocks of sheep commercially, and owned shares in village lands as absentee landlords.

Women too had their elders (aq-birčak, “grey-hairs”), consulted privately by the male elders; among the women the female elders exercised influence in public, at feasts attended by guests from a wide range of communities. At feasts, men and women were segregated. While the men enjoyed music and other entertainment, in the women’s tent the elders discussed matters of importance to both men and women, such as marriage arrangements, disputes, and irregular behavior among community members or broader subjects bearing on economic and political affairs. They formed opinions and made decisions, which were then spread as the women returned home and told their menfolk and friends. This unusual information network among the women served a most important function for the society as a whole.

Shahsevan women produced a variety of colorful and intricate flat-woven rugs, storage bags and blankets, and some knotted pile carpets, but these were all for domestic use and figured prominently in girls’ trousseaux on marriage. In the 1970s, however, the international Oriental Carpet trade recognized that a whole category of what had previously been regarded as “Kurdish” or “Caucasian” tribal weavings were in fact made by Shahsevan nomads. Meanwhile, hard times and escalating prices forced many nomads to dispose of items never intended for sale. Since the Islamic Revolution, Shahsevan weavers have increasingly produced for the foreign market, adjusting their styles accordingly.

The Shahsevan of Ḵaraqān and Ḵamsa. In the 19th century there were five major Shahsevan groups in these regions: Ināllu, Baḡdādi, Qortbeyli, Doveyran, and Afšār-Doveyran. The Baḡdādi have traditions of origin in Iraq, while the others, all of Šāmlu or Afšār origins, appear to be descended from groups removed from Moḡān in the 18th century. Most of them were settled by 1900. The Ināllu and Baḡdādi provided important military contingents for the Qajar army (see R. Tapper, 1997, app. 1, pp. 349-55; Ḥasani, 1990; idem, 2002).

 

Bibliography:

For Shahsevan history, the most comprehensive account, on which this article is based, is Richard Tapper, Frontier Nomads of Iran: A Political and Social History of the Shahsevan, Cambridge, 1997; Pers. tr. Ḥasan Asadi, Tāriḵ-e siāsi-ejtemāʿi-e Šāhsevanhā-ye Moḡān, Tehran, 2005; Turk. tr. F. Dilek Özdemir, Iranın Sınır Boylarında Göçebeler; Çahsevenlerin Toplumsal ve Politik Tarihi, Istanbul, 2004.

For an ethnographic analysis, based on field study in the 1960s, see Richard Tapper, Pasture and Politics: Economics, Conflict and Ritual among Shahsevan Nomads of Northwestern Iran, London, 1979.

For women, see Nancy Tapper, “The women’s sub-society among the Shahsevan nomads,” in Lois Beck and Nikki Keddie, eds, Women in the Muslim World, Cambridge, Mass., 1978, pp. 374-98; Nancy Lindisfarne-Tapper, “The dress of the Shahsevan tribespeople of Iranian Azerbaijan,” in idem and Bruce Ingham, eds., Languages of Dress in the Middle East, London, 1997.

For human and physical geography of the region, see Günther Schweizer, “Nordost-Azerbaidschan und Shah Sevan-Nomaden”, in Eckart Ehlers, Fred Scholz and Günther Schweizer, Strukturwandlungen im Nomadisch-Bäuerlichen Lebensraum des Orients, Wiesbaden, 1970, pp. 83-148.

On Shahsevan dwellings, see Peter Andrews, “Alachïkh and küme: the felt tents of Azarbaijan”, in Rainer Graefe and Peter Andrews, eds., Geschichte des Konstruierens III (Konzepte SFB 230, Heft 28), Stuttgart, 1987, pp. 49-135.

On Shahsevan textiles, see Jenny Housego, Tribal rugs: an introduction to the weaving of the tribes of Iran, London, 1978; Siyawosch Azadi and Peter Andrews, Mafrash, Berlin, 1985; Parviz Tanavoli, Shahsavan: Iranian rugs and textiles, New York, 1985.

Local histories, valuable for the late 19th and the 20th centuries, include Mir Nabi ‘Aziz-zāda, Tāriḵ-e Dašt-e Moḡān, Tehran, 2005, which reproduces a large collection of documents from both national and family archives of Moḡān and former Shahsevan chiefly families.

See also Ḥosayn Bāyburdi, Tāriḵ-e Arasbārān, Tehran, 1962; Bābā Safari, Ardabil dar goẕargāh-e tāriḵ, 3 vols., Tehran, 1971-83; Nāṣer Daftar-ravāʾi, Ḵāterāt o asnād, ed. Iraj Afšār and Behzād Razzāqi, Tehran, 1984.

Monographs in Persian include Paričehra Šāhsevand-Baḡdādi, Barrasi-e masāʾel-e ejtemāʿi, eqteṣādi o siāsi-e il-e Šāhsevan, Tehran, 1991; Mehdi Mizbān, Il-e Šāhsevan: Mawred-e motaleʿa tāyefa-ye Geyiklu, tira-ye Ḥāji-imānlu, MA thesis, Islamic Free University, Tehran, 1992; Moḥammad-Reżā Begdili, Ilsevanhā (Šāhsevanhā)-ye Irān, Tehran, 1993; Aḥad Nāṣeri-Belasovar, Dašt-e Moḡān dar goẕargāh-e tāriḵ, n.p. ,1993; ʿAtāʾ-Allāh Ḥasani, “Tāriḵča-ye il-e Šāhsevan-e Baḡdādi,” PhD thesis, Islamic Free University, Tehran, 1990.; idem, Farhang-e tāriḵi-e il-e Šāhsevan-e Baḡdādi, Tehran, 2002.

(Richard Tapper)

Originally Published: October 22, 2010

Last Updated: October 22, 2010

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Iran’s Armenians Hold Rally to Mark Anniversary of 1915 Genocide

Iran’s Armenians Hold Rally to Mark Anniversary of 1915 Genocide

A large crowd of Armenians gathered at Saint Sarkis Cathedral in Tehran on Sunday, April 24, 2016, to mark the 101st anniversary of the massacre of thousands of Ottoman Armenians in 1915.

 What is the Armenian Genocide or the 1915 genocide?
In 1915, leaders of the Turkish government set in motion a plan to expel and massacre Armenians living in the Ottoman Empire. Though reports vary, most sources agree that there were about 2 million Armenians in the Ottoman Empire at the time of the massacre. By the early 1920s, when the massacres and deportations finally ended, some 1.5 million of Turkey’s Armenians were dead, with many more forcibly removed from the country. Today, most historians call this event a genocide–a premeditated and systematic campaign to exterminate an entire people. However, the Turkish government does not acknowledge the enormity or scope of these events. Despite pressure from Armenians and social justice advocates throughout the world, it is still illegal in Turkey to talk about what happened to Armenians during this era. (Source)

 

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Iranian girls attended in Water skiing Championships

Iranian girls attended in Water skiing  Championships

The Iranian girls participated in matches for attending in IRAN national team in Kish Island, North of Persian Gulf.
40 boy and girl athletes attended in this competition in teens and adults categories on 2 days. The championship was held in Cable ski park of Kish.

Kish is a 91.5-square-kilometre resort island in the Persian Gulf. It is part of the Hormozgān Province of Iran.

More information about Kish Island

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Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

By : The lifting of sanctions on Iran as a result of its nuclear deal with world powers could result in a huge tourism boom. Iran made it on to the top destination lists of major publications such as The Financial Times and The Guardian in 2015 thanks to sights that include 2,500-year-old ruins at Persepolis near Shiraz and 16th-century Islamic architectural gems in Isfahan.

The World Travel Market 2015 Industry Report said Iran was set to become a tourism hotspot. Adventurous tourists are already rushing to discover the riches the country has to offer, including ancient ruins, pristine beaches and popular ski resorts. In this gallery, IBTimes UK presents 30 photos of beautiful sights that should be on every itinerary.

 

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The ancient city of Isfahan, the former Persian capital from 1598 to 1722, is considered one of the most beautiful cities in the world – and is Iran’s number-one tourist destination. Leafy streets, hand-painted tiling and the famous Islamic architecture are unparalleled by any other Iranian city, centred around the magnificent Unesco-listed Naghsh-e Jahan Square. One of the world’s largest city squares, it is home to several magnificent monuments, the Shah Mosque, the Lotfollah Mosque, the Ali Qapu Palace and the Imperial Bazaar/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Sheikh Lotfollah Mosque, built in the early 1600s, was the first of four monuments that dominate Isfahan’s huge Naqsh-e-Jahan Square. The marble mosque is decorated throughout with exquisite tiles and calligraphy/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Shah Mosque or Imam Mosque, a Unesco World Heritage site on Naghsh-e Jahan Square in Isfahan, is regarded as one of the masterpieces of Persian Architecture, with stunning mosaics and calligraphic inscriptions/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The highly ornamented Ali Qapu Palace is located on Naqsh e Jahan Square, opposite the Sheikh Lotfollah Mosque in Isfahan/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Bazaar of Isfahan, a vaulted two-kilometre street linking the old city with the new, is one of the oldest and largest markets in the Middle East/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Isfahan’s Allāhverdi Khan Bridge, more popularly known as Si-o-seh pol, has two rows of 33 arches over the Zayandeh River/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Vank Cathedral, also known as Holy Saviour Cathedral, is an Armenian Apostolic church built in the early 1600s in Isfahan/ iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

In the 17th century, Isfahan was home to around 3,000 magnificent towers built to house pigeons. About 300 remain scattered throughout the countryside around the city/ iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Abyaneh is one of the oldest villages in Iran. Located at 2,500m above sea level in Isfahan province, the village is a jumble of houses packed one on top the other on the slopes of Mount Karkas. The walls of the houses are made of mud bricks that contain a lot of iron oxides, giving them a reddish colour/ iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Dizin, established in 1969, is the most popular ski resort in Iran. The ski season here runs from December to May – longer than European resorts because of its high altitude (3,600m, making it one of the 40 highest ski resorts in the world)iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Darbandsar, 60km to the north-east of Tehran, is one of the newest ski resorts in Iran. It offers a variety of winter sports such as snowboarding, mountain climbing, cross-country and off-piste skiing, etc/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Founded by Darius I in 518 BC, Persepolis was the ceremonial capital of the Achaemenid Empire and is situated around 70km north-east of the city of Shiraz/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The tomb of Cyrus the Great, in the Pasargadae World Heritage Site, is believed to date back to the 4th century BC/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Narenjestan-e Qavam, the Qavam Orange Grove, is a 19th-century garden in Shiraz. It leads to the elegant Qavam House, decorated in a style inspired by Victorian era Europe/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Nasir ol Molk Mosque in Shiraz is also known as the Pink Mosque, thanks to colour of the tiles used to decorate the interior. It looks particularly beautiful with light streaming through its coloured glass windows/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Tehran lacks the beautiful architecture of Isfahan and the history of Persepolis, but makes up for it with its range of restaurants, cafés, museums and art galleries – and its location at the foothills of the Alborz mountains make for fantastic walking trails/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Golestan Palace is a Unesco world heritage site in Tehran, and part of a former royal complex that includes palaces and museums, decorated with intricately carved marble and mirrored halls/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Milad Tower, also known as the Tehran Tower, is the sixth tallest tower in the world. Standing at 435m (1,427ft) high, the top floors are home to observation deck and a revolving restaurant/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Mount Damāvand is the highest peak in Iran and the Middle East. This potentially active volcano is located in the Alborz range, near the southern coast of the Caspian Sea, about 60km north-east of Tehran/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Meymand, an ancient village in Kerman Province, is thought to date back 12,000 years ago. More than 600 people still live in around 350 hand-dug rock houses/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Kandovan is a village in East Azerbaijan Province containing cliff dwellings excavated inside volcanic rocks similar to those in the Turkish region of Cappadocia. These rock houses are still occupied today – at the 2006 census, the village had a population of around 600/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Yazd, a city of around a million people and the driest city in Iran, is architecturally unique and an important pilgrimage destination for Zoroastrians/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Amir Chakhmaq Complex is the largest structure in Iran. It is illuminated with orange light in the evenings and provides wonderful views over the city of Yazd/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The city of Bam in Kerman Province surrounds an ancient citadel dating back around 2,000 years, to the Parthian Empire (248 BC–224 AD)/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Qom, a city of around a million people about 125km south-west of Tehran, is considered holy by Shia Islam and is a popular pilgrimage destination/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Zagros Mountains, regarded as sacred by the Kurds, run along Iran’s western border. The highest point on the range is Zard Kuh, at 4548m (14,921 ft)/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

Anzali Lagoon in the Caspian Sea in the northern Iranian province of Gilan is a good place for birdwatching, despite increasing pollution thanks to being used for many years as waste dumping site/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The port city of Bandar Abbas is capital of Hormozgān Province on the southern coast of Iran, on the Persian Gulf. Thousands of tourists visit the city and the nearby islands, including Qeshm and Hormuz/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Bazaar of Tabriz, another Unesco World Heritage Site, is thought to be the largest covered bazaar in the world. Situated on the ancient Silk Road, the bazaar has separate sections for jewellery, carpets, leather goods, etc/iStock

Iran tourism: 30 beautiful surprises waiting to be discovered by adventurous travellers

The Golden Eagle Danube Express is a luxury train that takes two weeks to wind through the 7,000km journey from Budapest to Iran, via the Balkans, the Bosphorus and eastern TurkeyBernadett Szabo/Reuters

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The New York Times: Sanctions Lifted, American Tourists Head to Iran

The New York Times: Sanctions Lifted, American Tourists Head to Iran

The New York Times, By Tourism in Iran is already popular with Europeans. Iranian officials told The Associated Press last fall that about five million foreign travelers visited Iran in 2014, and that the country aims to attract 20 million tourists, spending $30 billion, by 2025.

Among growth signs, Air France recently announced that it plans to start three flights weekly between Paris and Tehran beginning in April. Already Iran is a one-stop destination from New York via Istanbul, Dubai or Doha on Turkish Airlines, Emirates or Qatar Airways.

American Tourists Head to IranIran hosts some of the world’s oldest cultural monuments, including 19 Unesco World Heritage Sites, and its varied terrain ranges from desert locales to ski resorts.

“It’s just extraordinarily beautiful, and the sites are as magnificent as any you can find in the world,” said William O. Beeman, a professor and chairman of the anthropology department at the University of Minnesota and an expert in Iran. “Isfahan is comparable to Machu Picchu or Angkor Wat. These are major centers of civilization that have been lovingly restored.”

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Persian Music History

Persian Music History

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Firouzeh Mirrazavi: The traditional music of Iran is a message, a call from the artist’s innermost consciousness. Deeply intertwined with Iran’s age-old history and culture, it is an expression of the joys, loves, sorrows, efforts and struggles, all the many victories and defeats that the peoples of Western Asia have experienced over the millennia. It is something of a miracle that these people have kept their music intact despite numerous, murderous foreign invasions – in fact, imposing their own art, lifestyle and generous view of the world on their invaders.

Persian traditional music or Persian/Iranian classical music is the traditional and indigenous music of Iran and Persian-speaking countries, the science and art of music, the sound and performance of music (Sakata 1983).

persian music minature

 

Origins

14022Archeological evidence reveals musical instruments that were used in Iran during the Elamite era around 800BCE. Not much is known about Persian music in the ancient world, especially about the music of the Achaemenid Empire. Alexander the Great is said to have witnessed many melodies and instruments upon his invasion, and music played an important role in religious affairs. Music played an important role in the courts of Sassanid kings in the much later Sassanid Empire. Of this period, we know the names of various court musicians like Barbad and the types of various instruments that were used like harps, lutes, flutes, bagpipes and others. Under Sassanid rule, modal music was developed by a highly significant court musician, Barbad, called the khosravani. While today’s classical music tradition in Iran bears the same names of some of the modes of that era it is impossible to know if they sound the same because there is no evidence of musical notation from the Sassanid period. Today’s traditional Persian music began to develop after the advent of Islam in Iran, in the Medieval era and the creation of today’s formal, classical music tradition is directly linked to the music systems of the Safavid Dynasty. Under the later Qajar Dynasty, the classical system was restructured into its present form.

Before Islam

14023Under the Achaemenids (550-320 BCE), music served an important function in worship as well as in courtly entertainment. Bas-reliefs from the period clearly depict groups of singers, players of trigonal harps (chang), accompanied by large tambourines, as well as long necked lutes and double-flutes. The first written evidence of Persian music is from the Sassanid Period (226-643 CE). Khosrau II was a great patron of music, and his most famous court musician, Barbod, was said to have developed a musical system with seven modal structures (known as the Royal Modes), thirty derivative modes, and 365 melodies, associated with the days of the week, month and year.

The Arrival of Islam

With the advent of Islam in the 7th century A.D., Persian music, as well as other Persian cultural elements, became a formative element in what has since become “Islamic civilization”. Persian musicians and musicologists overwhelmingly dominated the musical life of the Eastern Islamic Empire. Baghdad became the centre of Persian music, and many musicians who were once considered to be Arabs are actually now known to have been Iranians. Farabi (d. 950), Ibn Sina (d. 1037), Razi (d. 1209), Ormavi (d. 1294), Zalzal (d.791), Ziryab, and Maraqhe-e (d. 1432) are a few of the many outstanding Persian musical scholars of the early Islamic period.

The 13th Century – Theory and Synthesis

In the 13 century, Arab-Persian music theory became largely standardized into what became as the Systematist or Iraqi school (since it developed in the court of Baghdad). The pioneer of this school was Safi Al Din Ormavi (from northwestern Iran) who provided a theoretical synthesis of the many systems of intervals and scales proposed before his time. He divided the octave into seventeen notes, giving each note a name. Various juxtapositions of these notes formed the basis of twenty named modes or maqamat, which to this day provide the theoretical basis for all different kinds of Middle Eastern music.

Persian tarditional Music

The Mongol Invasion

The Mongol invasion of Persia (from 1220), drastically changed the socio-political environment of the region. During this period, Shiite theology became established, and Sufism became erfan (gnosis) and penetrated deep into Persian lyrical poetry. The musical style of Araq (western Iran) gradually adopted the structure and emotional language of ghazal (a form of Persian poetry) and poetry became the main source of avaz (vocal section). During the 16th to 17th centuries, Persian music began to follow its own course and diverged from that of its Arabic, Turkish, and Tajik neighbors.

The Safavid Period

With the rise of the Safavid dynasty at the end of the fifteen century, and the increasing influence of Shiism, music in Persia declined. The court still patronized musicians, but their art became subject to the authority of Shiite clerics, who viewed it with suspicion. Musical performance was given over to illiterate ‘labourers of pleasure’. The brilliance of the Persian tradition passed to India, where the ruling Moguls were Turco-Mongols, deeply influenced by Persian court culture. In Iran, musical traditions were kept alive by Sufis and performers of taziye (Shiite passion plays).

 

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Dancers and musicians at the Qajar court, late nineteenth century .

Revival and Western Influence

The 19th century Qajar King Nasser al-Din Shah was a great patron of music. He sponsored many great musicians, among them Mirza Abdollah Farahani who collated and organised the traditions of Persian music to form the basis of contemporary Persian traditional music known as radif. In 1862, a process of Westernization began when, Nasser al-Din Shah ordered the establishment of a military band, such as he had seen in Europe playing overtures, marches, polka, and waltzes. A French musician, Alfred Lemair, was hired to run a traditional ensemble of indigenous shawms, horns, trumpets, and percussion into a Western concert band.

Music group in Qajar peridos, source: Golestan Palace Libraray

He was so successful that by the end of the 19th century, the music school in Tehran taught Western instruments and music theory.

Qajari girl palyed tarWesternization gathered pace with the accession of the Pahlavi dynasty in 1925. The Tehran music school (now a fully-fledged conservatoire) and the National School of Music were both state funded, and, in the late 1930s, a small symphony orchestra was founded. Iranian composers began to study abroad, and to compose in nationalist and modernist styles. By the 1970s, the Tehran Symphony Orchestra consisted of 100 players, and newly built concert halls were hosting international artists; music departments were instituted in universities, and television introduced Western music to the people. Pop, rock, jazz, and Latin American music gained popularity, and in their wake, the record and cassette industry marketed local pop music and hybrid love-songs that blended Persian modes with Western harmony.

Records and radio, and exposure to Western light music stimulated Persian music in its popular form. The traditional tasnif was reinterpreted in popular ballads, composed in Persian modes, but following the structure of Western songs. Often, the harmonic underlay was a mixture of traditional and Western instruments. In this form, it was commonly known as tarane – a 3-4 minute long song which was suited to the 78 rpm record. Traditional dastgah performances were similarly reduced in length, fewer modes were used in performance, and many were eliminated.

Musiqi-e assil became a more common past-time for the next few decades, especially after cassettes were introduced in the 1960s. Before the 1979 revolution, Iran produced the Classic / Dastgahi singing stars Gholam Hossein Banan, Delkash, Marzeyeh, Hengameh Akhavan, Akbar Golpayegani(Golpa), Elahe, Parisa, Khonsari, Homayra, Mahasti, Iraj, Hooshamnd Aghili and instrumentalists like majid kiani , Abolhasan Saba, Asghar Bahari, Ahmad Ebadi, Hossein Tehrani, Faramarz Payvar, Ali Tadjvidi, Dariush Talai, Muhammad Heidari and Hassan Kassai.

 

The Islamic Revolution to the Present

Many young Iranians have become interested in traditional music and the ban on Western music and even pop music has now been lifted. Today, music is taught in state-funded universities and many private institutions and classes throughout the country. Many Iranians play musical instruments, and the social standing of musicians is now much higher than in the past.

The years after the 1979 revolution emerged Islamic Republic approved stars like Parviz Meshkatian, Arshad Tahmasebi, Davod Ganjeyi, Jamshid Andalibi, Kayhan Kalhor, Mohammad Reza Lotfi, Hossein Alizadeh, Dariush Talai, Mohammad-Reza Shajarian, and Shahram Nazeri.

Most notable living Iranian classical vocalists are: Shajarian, Shahram Nazeri,Parissa, Akbar Golpa, Iraj. Among relatively new classical vocalists we can name: Homay, Hesamuddin Seraj, Salar Aghili, Alireza Ghorbani, Homayoun Shajarian, Hamid Reza Nourbakhsh and Maryam Akhondy.

More notable Iranian progressive musicians whom at their own time have created modern and contemporary Persian classical based theories and styles include the late Ostad Parviz Yahaghi, the late Ostad Asadollah Malek, the late Ostad Mohammad Baharloo, the late Ostad Alinaghi Vaziri, the late Ostad Varzandeh, the late Ostad Hossein Tehrani, Ostad Faramarz Payvar and Ostad Bahman Rajabi whom have impacted and influenced the classical Iranian traditions with their respective innovative musical approaches.Persian Music Consert

 

 

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