Iranian athletes have secured twelve medals, ranking 21st at the 2024 Olympic Games in Paris, France.

The Iranian athletes concluded their participation in this summer’s Olympics with a total of twelve medals comprising three gold, six silver, and three bronze.

In Greco-Roman wrestling, Saeed Esmaeili and Mohammad-Hadi Saravi each won gold in the 67 kg and 97 kg categories respectively. Alireza Mohmadi also won silver in the 87 kg category.

In freestyle wrestling, Hassan Yazdani (86kg), Amir-Hossein Zare (125kg), and Rahman Amouzad (65 kg) each earned a silver medal.

Additionally, Taekwondo practitioner Arian Salimi (+80kg) claimed a gold medal for Iran. Taekwondo athletes Mehran Barkhordari (-82 kg) and Nahid Kiani (-57 kg) each took home a silver medal.

Furthermore, Mobina Nematzadeh (-49 kg) in Taekwondo, Amin Mirzazadeh (130 kg) in Greco-Roman wrestling, and Amir-Ali Azarpira (97 kg) in Freestyle wrestling each won bronze medals.

The Iranian sports delegation took part in the 33rd edition of the Olympic Games in Paris, fielding 40 athletes across 14 disciplines.

They concluded their participation in the Paris 2024 Olympics with a 21st-place finish, ascending six ranks from their previous performance in Tokyo.

In the preceding Tokyo Games in 2021, the Iranian team secured three gold, two silver, and two bronze medals.

The 33rd Olympic Games in Paris, which kicked off with the opening ceremony on July 26, officially came to a close on August 11.

Some Corona Covid-19 vaccination centers in Tehran are working 24/7 in line with the government’s instructions to step up the general vaccination rate.

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IRAN to administer 50 mn Corona vaccines by end of summer

Iran’s new Health Minister Bahram Einollah has said that the country will break Germany’s record of weekly administering of 5 million doses of vaccines.

Speaking to reporters after attending a meeting with the Iranian lawmakers on Tuesday, Bahram Einollah, the new Iranian health minister said that the general vaccination of the Iranian people is gaining momentum, adding that the country will administer 50 million doses of Covid-19 vaccines by the end of summer.

He said while at the end of the previous administration in the middle of summer only 5 million doses of vaccines had been administered in the country, while after the new administration took office, the campaign accelerated and now the vaccination rate has exceeded more than 38 million of doses.

The new health minister added that the vaccination of 18-year-old people will begin very soon.

According to him, efforts are underway to vaccinate students and young people quickly.

He also said that soon all those who want to leave the country should have received two doses of vaccine, and upon their return to the country, they must have a negative PCR test in order to avert a new wave of the coronavirus in the country.

Einollah also noted that the new government in Iran under President Ebrahim Raeisi has authorized the domestic production of five Covid-19 vaccines.

Meanwhile, the spokesman for Iran’s National Task Force for Fighting Covid-19 Alireza Raeisi who said that the country has not got through the deadly fifth wave of the Covid-19.

Raeisi predicted that the daily death toll from the pandemic in Iran will decline from the current 500 to below 50 people in the middle of fall, when a large portion of the Iranian population has received both doses of the vaccines.

Legendary vocalist master Mohammadreza Shajarian, who was known as Iran’s king of song and once called himself the “son of Iran”, died on Thursday at 80 at Tehran’s Jam Hospital years after suffering from kidney cancer.

It was deeply shocking for his fans and the Iranian music community when the icon of Persian traditional music appeared in a video in the early days of Noruz, the celebration of the Iranian New Year celebration, in March 2016, wishing a happy New Year for Iranians and announcing that he was suffering from chronic kidney cancer.

The two-time Grammy Award nominee called the disease “a 15-year-old guest” that is “friendly” with him and added that he would soon return to the stage, a dream that would never come true.

He soon left the country for Sacramento, California to receive treatment for the disease and returned home in September that year to resume his medical treatment in the country.

His fans were shocked several times over the past few years each time they heard that their beloved, highly popular artist was admitted to the hospital. In post-revolution Iran, no other artist could capture the hearts and souls of his people as much as him.

His popularity was not just limited to his art. His strong affinity with the people over the course of his lifetime made Shajarian their beloved artist. He was never once apathetic about the pain and suffering they went through.

For example, shortly after the devastating 2003 earthquake in Bam, Kerman Province, which claimed tens of thousands of lives and flattened the town, Shajarian and his group, composed of his son Homayun, tar virtuoso Hossein Alizadeh and kamacheh master Kayhan Kalhor, organized benefit concerts titled “Compassion for Bam” to raise funds for the victims of the disaster.

The Bam Art Garden was born out of the rubble of the earthquake based on an initiative from Shajarian and his friends.

“I was like a drop that fell from the cloud, heading to the sea,” Shajarian once said during a celebration to mark his 73rd birthday in September 2013 organized by his friends and a number of Iranian art elites, including vocalist Shahram Nazeri, filmmaker Masud Kimiai and writer Javad Mojabi.

“For me, the people of Iran and the world are the sea. And from childhood, I learned from my parents to share my happiness with others… I follow the way that people are going and the people are my most important asset. Today, many people live inside me and I live for them. Because I believe that life finds its mean with ‘you,’ therefore, I have tried to do my art for humans and humanity.

“We should first abandon our evil ways and wickedness to enable ourselves to live with others and hold meetings with them; meetings with others have always been important for me and I have tried to ignore my personal pride for the sake of national pride and culture.

“Life is difficult when we are under others’ steady gaze and spotlights, but today, the present the people give us is for having always loved them; I have tried to share my happiness with others and have regard for their concerns.”      

Born in the religious city of Mashhad, Shajarian began his vocal career from childhood with his father who taught him Quran recitation. His recitations of the Holy Quran were aired by Mashhad Radio when he was only 12.

At the same time, he was also pursuing a career in vocal music. 

In his early twenties, he left his hometown to pursue his singing career in Tehran. His father wanted him to respect his family’s reputation for their affinity with religious figures, so his singing was aired by Tehran Radio under the alias Siavash Bidgani.     

Tar virtuoso Ahmad Ebadi, who was one of Shajarian’s close friends, met his father later, convincing him to allow Shajarian to sing using his true name.

His collaborations with Golha, a professional music program of Tehran Radio that had many top musicians, in 1972 opened a window of opportunity for Shajarian. He started a friendship with many elites of Persian traditional music who played a key role in the development of his virtuosity.

As he was completing his education with the top maestros such as Framarza Payvar, Nurali Khan Borumand and Abdollah Davami, he also pursued his Quran recitations professionally. In 1978, he finished first in Iran’s nationwide Quran competition. In summer 1979, he took second place in the recitation category of a Malaysian Quran contest.

He split from Golah, and consequently, radio in early 1978. “At that time, the program was not in harmony with my feelings. I felt that the radio’s policy was being made by cabarets and cultural triviality.”   

His friends in the Sheida and Aref music ensembles also separated from the radio in protest at the killing of demonstrators on Black Friday on 8 September 1979. They teamed up to produce some protest songs, which were released in album series named Chavosh.    

The epic song “Sepideh” (“Dawn”) composed by Mohammadreza Lotfi with a poem by their close friend Hushang Ebtehaj, who is also known by his pseudonym “Sayeh”, become a smash hit that Shajarian performed with the Sheida ensemble at National University in Tehran in 1980. “In Memory of Aref” and “The Soul of the Beloved” were among the albums Sheida recorded with Shajarian.

In 1980, a recitation of an invocation, known as “Shajarian’s Rabbana”, that he improvised for his students was recorded at Iran’s national radio. The divine recitation, which is composed of four verses of the Holy Quran, opens with a prelude featuring verses of a mesmerizing Rumi poem promoting the fast during Ramadan. 

In 2017, the Cultural Heritage, Tourism and Handicrafts Organization registered “Rabbana” on the National Intangible Cultural Heritage list.

In his works, he began to perform in dastaghs and gushehs, the totality of melodies of the Persian traditional music system, which were sinking into oblivion at that time. This trend was highly inspiring for his pupils, helping save these unique systems.

In the 1980s, he pursued a teaching career in music courses, one of the outcomes of which was that his son, Homayun, is now a popular vocalist of the new generation.

His collaboration with Aref, which was led by eminent composer and santur virtuoso Parviz Meshkatian, resulted in the creation of “Injustice”, “At Presence of the Beloved”, “The Dome of the Sky” and several other albums, which are considered an unparalleled treasury of Persian traditional music.   

He worked with many musicians and finally in 2008, founded his own group Shahnaz named after his master and tar virtuoso Jalil Shahnaz. His daughter Mojgan and composer and tar virtuoso Majid Derakhshani were among the members of the ensemble, along with whom he embarked on a world tour in 2010, using his innovative instruments, including the sorahi, arghanun and barbad.        

Shajarian was also quite agreeable to the innovations made by his son, Homayun, in the traditions of Persian song.

“Despite objections from those who are adherents of Persian traditional music, they [Homayun and his colleagues] are not in the least incorrect. However, they should beware of deviations. They should follow their own path based on the culture of their society; they should never go beyond due bounds in modernity, letting the next generation try their new items,” he once said in an interview.      

He was nominated for a Grammy Award in Best World Music 2004 and 2006, and was the recipient of numerous awards and honors, including a UNESCO Golden Picasso Medal in 1999. He was also decorated with France’s Chevalier of the Legion of Honor in June 2014.

Shajarian was also known for his skills in Persian calligraphy, and showcased his works in several exhibitions.

Once in an interview, he called himself “son of Iran” and added, “My vice is among the ancient vices of Iranians who wanted to be remembered for the type of people they were; people of humanity, love, peace and purity.

“We have no other message for the world than that of friendship, love, life and happiness. And if we complain it is to rid ourselves of social problems so our people can live.”

Shajarian married Farkhondeh Golafshan in 1961, but divorced her in 2000. He is survived by his widow, Katayun Khansari, and his sons Homayun, Farzaneh, Afsaneh and Mojgan from his first marriage, and Rayan, another son from his second marriage.  

FM Zarif offers condolences over Iranian legendary singer’s departure

Iranian Foreign Minister Mohammad Javad Zarif in a message expressed condolences over death of Iranian legendary singer Mohammad Reza Shajarian.

“Maestro Shajarian was a great & true Ambassador of Iran, her children and—most of all—her culture,” Zarif wrote in his Twitter account on Thursday.

“I extend my deepest condolences to Iranians across the world and partcularly to his loved ones” he added.

“From God we come and to Him we return.”

Tributes pour in for world-renowned Iranian vocalist

United Nations, diplomats, Iranian and foreign ambassadors and embassies in separate messages late on Thursday offered condolences on the demise of the veteran Iranian singer Maestro Mohammad Reza Shajarian.

UN representative office in Iran said in a message that the demise of the great Iranian vocalist Mohammad Reza Shajarian caused deep grief and sorrow.

“We on behalf of the UN family in Iran express condolences to Shajarian’s family and all his lovers in Iran and world. May the departed soul rest in peace,” the message said.

Iran’s Embassy in Zagreb in a tweet also extended condolences to the honorable and culture-loving compatriots, as well as lovers of Iranian culture and art, the death of the great Iranian vocalist and the internationally acclaimed figure.

Meanwhile, Swiss Embassy to Iran expressed sincere condolences on the demise of Maestro Mohammad Reza Shajarian. “Switzerland will cherish the memories of his concerts in Lausanne and Zurich.”

The British Embassy in Tehran also extended condolences to all his fans on the departure of one of the most prominent figures in Iranian traditional music of the last century.

Iran’s Ambassador to Azerbaijan Republic also paid homage to the late vocalist on his Twitter, expressing deep regret over the loss of “a towering figure in international music”.

‘Khoniagaran-e Mehr’ the famous Iranian women traditional music group performed online during coronavirus. The first case of Covid19 in Iran was officially announced on February 19, 2010.

“Khonyagaran-e Mehr” is a female musicians band with a brilliant background, led by Behzad Abdi,that performs various concerts in persian music.
“Khonyagaran-e Mehr”, consists of twelve musicians, formed in may 2017. In August 2017 they held a successful concert at the Vahdat Hall with Mohammad Motamedi as a singer.

In October 2017, “Khonyagaran-e Mehr” performed at the “Eimehestan” festival in Armenia and received award from Culture Minister of Armenia.
In February 2017, “Khonyagaran-e Mehr” performed at the Fajr Festival with Vahid Taj as a singer.This performance was appreciated by the audience.
In july 2017, two music videos of Khonyagaran-e Mehr were displayed for a month in Expo of Kazakhstan.
In August 2018, “Khonyagaran-e Mehr” held a concert for Iranian ladies in Niavaran Cultural Center with a singer named “Sayeh Sodeyfi”.
In November 2017, the soloists of “Khonyagaran-e Mehr” held a concert with the Organizal Orchestra in Kostiol church in kiev, Ukraine.
In February 2018, “Khonyagaran-e Mehr” and Vahid Taj performed in Philharmonic Hall of kiev, Ukraine.

In February 2019, they performed at the Fajr Festival with Navid Norouzi as a singer.They also performed in closing the Fajr Music Festival.
In March 2019, they held successful performances in three cities of Germany : Berlin, Hamburg and Frankfurt.
In April 2019, they performed at the “le Magie des Hirondelles du Printemps” festival in Paris,France.
In April 2019, held concert in Bern,Switzerland.
In October 2019 held concert in Womex festival in Tampere, Finland.

WOMEX 19 is one of the world’s largest music events which hostd publishers, independent musicians, organizers, and state organizations in music every year from over 90 countries.

‘Khoniagaran-e Mehr’ founded and led by Behzad Abdi.

Mehrnam Rastegari (Kamancheh),
Samaneh Barouti, Nazanin Rousta (Qichak Alto),
Neginzadeh Vakili (Qichak Bass),
Hila Feyzpour (Tar),
Torgol Khaliqi (Tar and Rabab),
Seda Sedifi (Qanun),
Rokhsareh Rostami Daristani (Oud),
Bahareh Heydari (Tar Bass),
Sheida Ghazi (Ney),
Mehrnaz Dabirzadeh (Tombak and percussion instruments)

Behzad Abdi (born 1973, Tehran) is an Iranian composer of opera, film and television music

He came to international attention in 2006 with his “Nuclear Symphony”, commissioned by the government to celebrate Iran’s nuclear achievements.

The IMDb database cites film and television music for no less than 43 productions between 2010 and 2018.

Abdi studied setar and Iranian traditional music and also Western classical music at the Tchaikovsky Academy in Ukraine, beginning his studies there in 2003.

He has been described as “the first composer to write Iranian traditional opera fusing Iranian traditional and Western classical music.”

His opera “Rumi” from 2009, based on the life of Rumi, with libretto by Behrouz Gharibourm, and with Mohammad Motamadi, has been released on a UK label, Naxos.

Abdi is currently based in Kiev, Ukraine.

Iranian President Hassan Rouhani says friendly countries should exert pressure on the United States to lift its “cruel and one-sided” sanctions against Tehran at the current juncture that the Islamic Republic is diligently fighting the deadly new coronavirus pandemic.

In a phone call with his French counterpart, Emmanuel Macron, on Monday, the Iranian president emphasized that it is more difficult for Iran in comparison with other countries to battle the coronavirus when it is under the US sanctions.

“The US administration has not only violated international regulations by imposing illegal sanctions on Iran, but is also breaching health regulations ratified by the World Health Organization in 2005 through its measures under the current circumstances,” Rouhani said.

The Iranian president once again expressed the country’s readiness to return to full compliance with its commitments under the nuclear deal, officially known as the Joint Comprehensive Plan of Action (JCPOA), it clinched with major world powers in 2015 only if all sanctions against the country are removed.

“The removal of sanctions and fulfillment of its commitments by Europe are a necessity, which has become more significant at the current specific situation,” the Iranian president pointed out.

The United States reinstated its sanctions against Iran in May 2018 after leaving a United Nations-endorsed nuclear agreement with the Islamic Republic and five other major powers — the UK, France, Russia, China plus Germany.

Since then, Washington has corded other countries to follow suit and mount pressure on Iran or face punishment.
Former world officials: US sanctions compromising Iran healthcare system amid pandemic

The United States has refused to lift sanctions on Iran and even tightened them several times in recent weeks, making it almost impossible for the Islamic Republic to access life-saving medications and medical equipment necessary in the fight against the deadly new coronavirus pandemic.

Iran says the unilateral US sanctions have seriously hampered its fight against the pandemic.

Anti Coronavirus operation all over IRAN/Photo+Video

Presenting the latest update on Monday, Iran’s Health Ministry spokesman Kianoush Jahanpour reported 2,274 new infections and 136 more deaths from the virus over the past 24 hours.

In total, 60,500 Iranians have tested positive for COVID-19 while 3,739 have died, he pointed out, adding that 24,236 patients have fully recovered so far.

Elsewhere in his remarks, the Iranian president welcomed an initiative by UN Secretary General Antonio Guterres to declare a global ceasefire amid the coronavirus pandemic, expressing hope that it would also include the economic war on Iran.

The UN chief on Friday renewed his call for a global ceasefire, urging all parties in conflict to lay down arms and allow war-torn nations to combat the coronavirus pandemic.

“The worst is yet to come,” Guterres said, referring to countries beset with fighting like Syria, Libya, and Yemen, adding, “The COVID-19 storm is now coming to all these theaters of conflict.”

Rouhani also described as “positive but insufficient” the initial steps taken to implement INSTEX, a trade mechanism set up by Britain, France and Germany in 2019 to protect companies doing business with Iran from Washington’s sanctions. He emphasized that the mechanism should not be limited only to medical equipment and food, but must be also implemented in a way that would enable Iran to “use it to meet all our country’s requirements.”

The three European signatories to the JCPOA unveiled the long-awaited direct non-dollar payment mechanism meant to safeguard their trade ties with Tehran following the US withdrawal from the nuclear deal and in the face of the “toughest ever” sanctions imposed by the United States against the Islamic Republic./ Press TV

Iranian acclaimed film director and screenwriter Rakhshan Bani-Etemad was picked by the Internet Movie Database (IMDb) among the women whose work contributed to the history of cinema.

Celebrating Women’s History Month (March 1-31), IMDb published a video on Twitter to take a look back at “cinematic history in salute of the pioneering women directors and their groundbreaking work,” the online entertainment database tweeted along the video that featured scenes of Bani-Etemad’s 2014 drama, Tales (Ghesseh-ha).

Born in Tehran in 1954, Bani-Etemad – who holds a Bachelor of Arts degree in film studies from the Dramatic Arts University in Tehran – is widely considered as the most important female director in Iran, titled ‘First Lady of Iranian Cinema’.

Her movies and documentaries picture social and cultural issues and complications in modern-day Iran.

The Tales – which adopts an episodic narrative – portrays the fates of seven characters of Bani-Etemad’s previous flicks.

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گزارش امروز فرانك آرتا در روزنامه شرق از مجموعه #كارستان : بنی‌اعتماد: معتقد نیستم ایده‌ها جرقه‌ای هستند که ناگهان به ذهن آدم خطور می‌کنند. طبیعتا دغدغه‌ها و موضوعاتی که پیش‌تر به دلایل مختلف ذهن را به خود مشغول کرده‌اند، زمانی بعدتر به صورت یک ایده خود را نشان می‌دهند. درواقع «کارستان» وجه دیگری از دغدغه‌های من در کارهای دیگر سینمایی و مستندم است. به همان اندازه که اعتقاد دارم در سینمای اجتماعی مستند یا داستانی پرداختن به معضلات، نارسایی‌ها، کاستی‌ها و آسیب‌ها مهم‌اند، در کنارش این ایده که خواهم گفت چطور شکل گرفت هم اهمیت دارد. زمانی فکر می‌کردم در برابر همه این نارسایی‌ها، مشکلات و معضلاتی که وجود دارد کسانی هستند که با دغدغه‌های شخصی، ولی با رویکرد بهبودبخشی وضعیت جامعه با همه موانعی که پیش‌رویشان وجود دارد سعی می‌کنند جهان خود و پیرامونشان را بهبود ببخشند. البته اینها کسانی نیستند که از اول فکر می‌کنند رسالتشان تغییر جهان است؛ ایده‌ای که فکر می‌کنم الان به اشکال مختلف در تفکرات مختلف جهان مدرن هم شکل می‌گیرد که اگر از اصلاح پیرامون خودمان شروع کنیم، جزیره‌های کوچک به اقیانوس تبدیل می‌شوند. شروع شکل‌گیری این ایده به آشنایی من با «بنیاد توسعه کارآفرینی زنان و جوانان» از طریق خانم «فیروزه صابر»، زمانی که تازه ‌تأسیس شده بود، برمی‌گردد.

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The film won the award for Best Screenplay (written by Bani-Etemad and Farid Mostafavi) at the 71st Venice International Film Festival.

It also brought Bani-Etemad the Golden Royal Bengal Tiger Award – dedicated to best film – at Kolkata International Film Festival in 2014, as well as the Special Jury Prize at Asia Pacific Screen Awards (Australia) in the same year.

Also featured in IMDb’s short video were the likes of Sofia Coppola, Jodie Foster, Meryl Streep, Chinese-American film director Lulu Wang, Sarah Polley, and Barbra Streisand.

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Rakhshan Banietemad

Rakhshan Banietemad, born in 1954 Tehran, began to make documentaries for the Iranian National Television in 1979, right after graduating from the University of Dramatic Arts, Tehran. From 1979 to 1987 she focused on making only documentaries. In 1987, she directed her first feature film Off the Limits. In 1991, she became the first woman recipient of the Best Director award for Nargess at Fajr International Film Festival in Iran. In 1995, she won the Bronze Leopard for The Blue Veiled at the Locarno Film Festival. Under the Skin of the City, her next film, was the highest grossing film in Iran in 2000. This film along with Gilaneh (2005) and Mainline (2006), garnered major awards in more than 50 film festivals.

While Banietemad’s feature films have been acclaimed and honored worldwide, her documentaries have also been successful and popular internationally. Our Times …, was the first documentary ever to be released in the movie theatres in Iran in 2002. It was also screened in highly prestigious and prominent festivals and TV channels such as IDFA, Sundance Film Festival and ARTE.

Banietemad started her work by making documentaries and has never ended the strong connection she has always had with her works. Making documentaries have been her main way of connecting with the society and social issues. Her approach and in depicting social issues has been so strong and effective that her works have always resulted in causing change in the lives of her documentaries’ characters.

In 2008, she received an honorary doctorate from University of London, in 2010, she was awarded the Prix Henri Langlois from Vincennes International Film Festival. Her latest feature film, Tales, was awarded the Best Screenplay prize in the main competition section of 2014 Venice International Film Festival.

More recently, she has joined the Academy Oscar, Writers branch in 2017.

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روز خبرنگاران واقعي مبارك ? مبارك تر وقتي امنيت حرفه اي شان تضمين شود . مبارك تر وقتي حرمت شغل مقدس شان بيشتر حفظ شود . مبارك تر وقتي عدالت اقتصادي در برابر كار پر مسئوليت شان رعايت شود. مبارك تر وقتي اهميت كار پر خطرشان در محدوديت بايد و نبايد ها ، دانسته شود . درود بر خبرنگاران واقعي و قلم به دستان مسئول و دغدغه مند كه علمداران آگاهي بخشي هستند . بازهم روز خبرنگار بر خبرنگاران واقعي مبارك باد . رخشان بني اعتماد ? ? نسیم روحانی #خبرنگار #روز_خبرنگار #رسانه #خبر

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Feature Films

• Tales (Ghesseh ha), 2014
• Heiran (producer), Director: Shalizeh Arefpour, 2009
• Mainline (Khun bazi), 2006
• Gilaneh, 2005
• Under the Skin of the City (Zir-e pust-e shahr), 2000
• Baran and the Native (Baran va bumi), part of feature-film Kish, 1998
• The May Lady (Banu-ye ordibehesht), 1997
• The Blue Veiled (Rusari abi), 1994
• Nargess, 1991
• Foreign Currency (Poul-e khareji), 1989
• Canary Yellow (Zard-e qanari), 1988
• Off the Limits (Kharej az mahdudeh), 1987

DOCUMENTARIES

• Touran Khanom, Co director, 2018
• Karestan Documentary films as follows (Artistic consultant), 2013 -17  Film 1. Poets of Life
   Film 2. Puzzleys
   Film 3. Mother of the Earth
   Film 4. MAHAK: A World She Founded
   Film 5. Friends at Work
   Film 6. Flax to Fire
• Hey, Humans (Ay, Adamha), 2016
• A Lifetime in an Hour (Yek saat az yek omr), 2015
• All My Trees (Hameh derakhtan-e man), 2015
• The Other Side of Mirrors (An sooy-e ayeneh ha), 2014
• The Mirrors Recital (Concert-e ayeneh ha), 2014
• The Concert of the Lords of Secrets (concert-e khodavandan-e asrar), 2014
• Mahak My Home (Khaneh man Mahak), a teamwork, 2014
• Keep Children in School (Bacheh ha ra dar madreseh negahdarim), a teamwork, 2012
• The Room No. 202 (Otahgh-e 202) Part of “Kahrizak 4 Views”, 2012
• See you Tomorrow Elina (Farda mibinamet Elina), 2010
• We Are Half of Iran’s Population (Ma nimi az jameiat-e Iranim), 2009
• Angels of the House of Sun (Hayat khalvate khaneh khorshid), 2009
• Second Home (producer), Director: Mahvash Sheikholeslami, 2008
• 3D Carpet (Farsh-e 3 Bodi), Part of “Iranian Carpet”, 2007
• Our Times… (Ruzegar-e ma…), 2002
• Under the Skin of the City (Zir-e pust-e shahr), 1996
• The Last Visit with Iran Daftari (Akharin didar ba Iran Daftari), 1995
• To Whom Do You Show These Films? (In filmha ra beh ki neshun midin?), 1993
• Spring to Spring (Bahar ta bahar), 1993
• The 1992 Report (Gozaresh-e 71), 1993
• Centralization (Tamarkoz), 1986
• The War Economic Planning (Tadbirha-ye eqtesadi-e jang), 1981
• Occupation of Migrant Peasants in the City (Mohajerin-e roustai dar shahr),1980
• The Culture of Consumption (Farhang-e masrafi), 1979

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رخشان بنی اعتماد داور جشنواره «وزول» فرانسه شد رخشان بنی اعتماد در جمع داوران بیست و سومین جشنواره فیلم «وزول» فرانسه حضور دارد. به گزارش «پایگاه خبری فیلم کوتاه» این جشنواره یکی از قدیمی‌ترین جشنواره‌های مربوط به سینمای آسیاست که در اروپا برگزار می‌شود. رخشان بنی اعتماد یکی از داوران بخش رقابتی اصلی جشنواره است. در همین بخش فیلم سینمایی به دنیا آمدن به کارگردانی محسن عبدالوهاب با دیگر آثار جشنواره رقابت می‌کند. ضمن اینکه جشنواره در بخش جنبی فیلم‌های گاو به کارگردانی داریوش مهرجویی و دلبران ساخته ابوالفضل جلیلی را به نمایش می‌گذارد. بیست و سومین جشنواره فیلم «وزول» 7 تا 14 فوریه در فرانسه برگزار می‌شود.

A post shared by رخشان بنى اعتماد (@rakhshanbanietemad) on Feb 7, 2017 at 11:46pm PST

Awards

• Diploma of Honor of Child Book Council’s, Tehran, Iran, March 2018
• Diploma of Honor of ‘Children’s Research Institute, Tehran, Iran, December 2018
• Special Cinema Section Award, 2nd  Davood Rashidi Commemorative Award, Tehran, Iran, August  2018
• Honorary Award, 7th Int’l Malatya FF (Turkey) 2017
• Honorary Golden Cyclo, 23th Vesoul Film Festival (France), 2017
• Ethics and Prayer Award for social and civilian activities (Iran), 2016
• Cinema Honorary Award, 4th Int’l Women FF (Afghanistan), 2016
• Cinema Honorary Award, 6th Int’l Crime & Punishment FF (Turkey), 2016
• Best Film, Tales, Prague Iranian FF (Chezk), 2016
• Audience Award, Tales, Gene Siskel Film Center (USA), 2015
• Best Film, Tales, London Iranian FF (UK), 2015
• Special Jury Prize, Tales, Asia Pacific Screen Awards (Australia), 2014
• Best Film, Tales, Golden Royal Bengal Tiger Award, Kolkata Int’l FF (India), 2014
• Best Screenplay prize, Tales, Venice Int’l FF (Italy), 2014
• Special Jury Prize, Kahrizak 4 views, Dubai Int’l FF (UAE), 2012
• Prix Henri Langlois, Vincennes Int’l FF (France), 2010
• Special Jury Prize, We Are Half of Iran’s Population, (WIFTS) (USA), 2009
• Special Jury Prize & Best Actress, Mainline, Dhaka Int’l FF (Pakistan), 2009
• Best Screenplay & Best Actress, Mainline, Pyongyang Int’l FF (North Korea), 2008
• Grand Jury Prize, Mainline. Int’l Women’s Film Festival (Creteil, France), 2008
• Achievement in Directing, Mainline, Asia Pacific Screen Awards (Australia), 2007
• Best Director & Best Actress, Mainline, Iran Cinema House Awards (Iran), 2007
• Best Director & Best Actress, Mainline, Fajr Int’l FF (Iran), 2007
• Best Film, Mainline, City Int’l FF (Iran), 2006
• Best Film, Mainline, Asiatica Film Mediale (Italy), 2006
• Special Jury Prize, Gilaneh, Las Palmas de Gran Canaria Int’l FF (Spain), 2006
• Netpac Award, Gilaneh, Vesoul Asian Film Festival (France), 2006
• Golden Lotus Award, Iranian Women Film Directors (Iran), 2006
• Best Film & Best Actress, Gilaneh, Kara Int’l FF (Pakistan), 2005
• Artistic & Cultural Achievement Award, Kara Int’l FF (Pakistan), 2004
• Special Jury Award, Under the Skin of the City, Seattle Int’l FF (USA), 2002
• Netpac Award, Our Times…, Locarno Int’l FF (Swiss), 2002
• Netpac Award, Under the Skin of the City, Karlovy Vary Int’l FF (Chezk), 2001
• Holden Award for Best Script, Audience Award, & Cinemavvenire Award for Best Feature Film, Under the Skin of the City, Turin Int’l FF (Italy), 2001
• Special Jury Prize, Under the Skin of the City, Moscow Int’l FF (Russia), 2000
• Special Jury Award, The May Lady, Fajr Int’l FF (Iran), 1998
• Honorable Mention, FIPRESCI Award, The May Lady, Montreal Int’l FF (Canada), 1998
• Prince Claus Prize for Culture and Development (The Netherlands), 1998
• “Il Sindaco di Firenze” Peace and Freedom Award (Italy), 1998
• Best Asian Woman Director, The Blue Veiled, India Int’l FF (India), 1996
• FIPRESCI Award, The Blue Veiled, Tessaloniki Int’l FF (Greece), 1996
• Bronze Leopard, The Blue Veiled, Locarno Int’l FF (Swiss) 1995
• Best Script & Best Supporting Actress, The Blue Veiled, Fajr Int’l FF (Iran), 1994
• Best Director & Best Musical Score, Nargess, Fajr Int’l FF (Iran), 1991
• Best Supporting Actor, Canary Yellow, Fajr Int’l FF (Iran), 1988
• Best Film, Off the Limits, Comedy Int’l FF (Italy), 1987

PROFESSIONAL DISTINCTIONS

• Jury Member, Dhaka Int’l FF Bangladesh), 2020
• President of the jury, Herat Film Festival (Afghanistan), 2019
• Jury Member, Mumbai Int’l FF (India), 2018
• Jury Member, Venice Int’l FF (Italy), 2017
• Academy Oscars Member, Writers Branch, 2017
• President of the jury, Vesoul Film Festival (France), 2017
• President of the jury, Prague Iranian Film Festival (Czech), 2017
• President of the jury, Image Film Festival (Iran), 2016
• President of the jury, Cinema Verite Int’l FF (Iran), 2013
• President of the jury, Busan Int’l FF (South Korea), 2013
• Master Class, California Institute of the Arts (USA), 2013
• Jury Member, Shanghai Int’l FF (China), 2012
• Jury Member, Dubai Int’l FF (UAE), 2010
• Jury Member, Asiatic Film Mediale Festival (Italy), 2010
• Master Class, Walker Art Center, Minneapolis (USA), 2010
• Jury Member, Fribourg Int’l FF (Switzerland), 2010
• Jury Member, Urban Int’l FF (Iran), 2009
• Producer, Heiran, feature-film (Iran), 2009
• Producer, Second House, documentary (Iran), 2008
• Honorary Doctorate, University of London (Iran), 2008
• Master Class, School of Oriental and African Studies, SOAS (England), 2008
• Master Class, Geneva University of Art & Design (ESBA), 2008
• Jury Member, Cinema Verite Int’l FF (Iran), 2007
• Jury Member, Women’s Film Festival (Iran), 2006
• Jury Member, Asian Cinema, Fajr Int’l FF (Iran), 2006
• Jury Member, Art University Student Festival (Iran), 2005
• Director, Sony Young Directors Film Festival (Iran), 2003
• Jury Member, Asia Pacific Film Festival (Iran), 2003
• Jury Member, Sony Young Directors Film Festival (Iran), 2002
• Jury Member, Moscow Int’l FF (Russia), 2002
• Jury Member, Cairo Int’l FF (Egypt), 2002
• Jury Member, Fajr Int’l FF (Iran), 2001
• Jury Member, Montreal Int’l FF (Canada), 2001
• Jury Member, Youth Film Festival (Iran), 2001
• Jury Member, Student Film Festival (Iran), 1999
• Jury Member, Leipzig Int’l FF (Germany), 1999
• Jury Member, Tokyo Environmental Int’l FF, (Japan), 1998
• Jury Member, New Delhi Int’l FF (India), 1998
• Jury Member, Student Film Festival (Iran), 1997
• Jury Member, Locarno Int’l FF (Swiss), 1996
• Jury Member, Turin Int’l FF (Italy), 1995
• Jury Member, Center for Iranian Film Directors (Iran), 1993
• Jury Member, Roshd Film Festival (Iran), 1992
• Jury Member, Fajr Int’l FF (Iran), 1990

KÂRÂ FILM STUDIO

KARA Film Studio is a name under which a group of professional Iranian filmmakers express their common concerns regarding humanistic, social and cultural issues through documentary films, while maintaining their own diverse and distinct vision. In KARA Film Studio, filmmakers in small or large numbers, gather together and, starting with an outline of a documentary project, complete the work in a professional manner.

KARA Film Studio operates under a number of principles: personal financing or financing through private sector; working as teams and in a workshop from development of an idea through to its completion and distribution; giving young and talented documentary filmmakers an opportunity to work with professionals and assistance with their development, due respect for the audience by maintaining high standards in the production phase, endeavor to provide improved and increased means of screening films inside and outside Iran; …
Rakhshan Banietemad and Mojtaba Mirtahmasb are the constant participants in this group.

Purchasing €2.9 billion of goods from Iran, Italy was the biggest importer of Iranian products in 2018, Tasnim news agency reported on Saturday, citing the data released by European Union’s statistics agency Eurostat.

The country’s imports from Iran in 2018 was 31 percent of the total of European countries’ imports from Iran. However, the figure registered an annual decrease of 13 percent in 2018 from its previous €3.36 billion in 2017.

According to the data published by Eurostat, Germany with exports of €2.7 billion to Iran, i.e. 30 percent of the total exports of EU to Iran, was the main European exporter to Iran last year, the same report added.

Germany’s exports to Iran showed eight percent decrease in 2018 in comparison with the preceding year when the figure stood at €2.95 billion.

In 2018, after Italy, Spain (€2.02 billion) and France (€1.53 billion) were respectively the major importers from Iran while Italy (€1.68 billion) and France (€895 million) were the main exporters after Germany to Iran.

French photographer Alain Ceccaroli and his wife, who visited Iran to hold a photography exhibition, said they were charmed by Iranian culture and hospitality.

Ceccaroli said that he plans to return to Iran in the coming months and enjoy its special attractions.

A collection of 20 black-and-white photographs featuring mountain landscapes was on view at the exhibition titled ‘Entre errance et eternite’ (‘Between Wandering and Eternity’).

The exhibition ran until November 30.

IRNA conducted an interview with Ceccaroli to get his opinion about Iran and Iranian culture.

Alain Ceccaroli was born in 1945 in Morocco. He lives in France. After holding several jobs, he decided in 1981 to become a professional author photographer. Though he was self-taught, his meeting in 1982 with Claudine and Jean-Pierre Sudre was decisive. He devotes himself to his three passions: Architecture, landscape and the Mediterranean. His photographic career took off and multiple commissions and photographic projects started coming in.

He held several exhibitions in countries such as Switzerland, Belgium, Croatia, Syria and Greece.

Excerpts of the interview follow:

IRNA: How did you select the photographs for the exhibition in Tehran?

ALAIN CECCAROLI: I was invited by the French Embassy in Iran to hold an exhibition. The embassy suggested some themes for the photos and since I knew that the Iranians are highly interested in nature, I chose a collection of my photographs about mountains and trees.

I am interested in the visible and invisible traces of history on the landscape. I selected a collection of 20 works from my visit to the Swiss Alps in 1985 and 1989.

I did not want to increase the number of displayed photos without paying attention to the theme of the works.

Do you have a plan to hold another exhibition in Iran?

It is not clear yet. Right now I want to travel to Iran again and enjoy its attractions and meet its people. Iranians’ hospitality was of great significance to me and I must confess that I have not seen any people in the world more hospitable than Iranians in Isfahan.

I will recommend my friends in France to make a trip to Iran. Since there are so much propaganda against Iran, I will tell my friends about my observations in Iran and the reality.

What is your opinion about the role of diplomacy of art and cultural diplomacy in getting Iran and France closer?

I believe they play a significant role. That’s why the French Embassy in Iran invites artists and cultural figures to come to Iran and hold exhibitions and fairs. In my opinion, cultural and political diplomacy are complementary.

How do you evaluate the presence of Iranian women in cultural and social fields?

They always welcomed us with their smiles. Female artists in Iranian Artists Forum were also highly active in their fields. We did not think that Iranian women are this much omnipresent in the society.

Exports volume for Iran’s crude oil stands at two million and one hundred thousand barrels per day (mb/d) in March 2018. The figure is expected to increase in April 2018.

China and India are the largest buyers of Iranian crude, with more than one million barrels in total.

The figure is expected to reach nearly 1.3 million barrels per day in April, while China and India will maintain their position as the first and second largest oil importers of Iranian crude.

Dutch-British Shell, France Total, Italian ENI and Saras Companies, Greek Hellenic Petroleum and Spain Repsol and Hungary MOL are among Iranian oil customers in Europe.

According to the Oil Ministry’s report, Iran has also exported 400,000 barrels per day of condensates during the March with South Korea was the biggest customer with purchasing half of the amount.

South Korea has requested for more gas condensate from Iran, however, due to increased domestic consumption and its allocation to Persian Gulf Star Oil Co., there is no possibility of realizing South Korea’s demands for it. South Korea now receives about 200,000 barrels of gas condensate per day from Iran.

The 36th Fadjr International Theater Festival (FITF) ended in a ceremony after announcing the winners in different categories.

In the international competition section Best Play Award was jointly presented to ‘The History Boys’ by Ashkan Khalilnejad, and ‘Melancholy of the Dragons’ by Philippe Quesne of France, honaronline.ir wrote.

Khalilnejad also received the Best Directing Award and Best Stage Design Award for ‘The History Boys’.

Mehdi Ziachamani won the Best Playwriting Award for ‘The Omissions’.

Special Jury Award for Best Dramatic Composition and Best Acting Award (male) went to Masoud Delkhah for ‘Mephisto’ and Morteza Esmaeil-Kashi respectively.

The Best Costume Design Award went to Neda Nasr for ‘The List of the Dead’.

Best Offstage Play (Unusual Places) was given to ‘Guilty Landscapes’ by Dries Verhoeven (the Netherlands).

The 36th Fadjr International Theater Festival was held from January 18 to 28 in Tehran.

Winners

Best Play Award:

Jointly won by ‘The History Boys’ by Ashkan Khalilnejad, and ‘Melancholy of the Dragons’ by Philippe Quesne, France

Best Directing Award:

Ashkan Khalilnejad for ‘The History Boys’ – Iran, Tehran

Best Playwriting Award:

Mehdi Ziachamani for ‘The Omissions’ – Iran, Mashhad

Special Jury Award for Best Dramatic Composition:

Masoud Delkhah for ‘Mephisto’ – Iran, Tehran

Best Acting Award (male):

Morteza Esmaeil-Kashi for ‘Mephisto’ – Iran, Tehran

Best Acting Award (female):

Katja Bürkle for ‘Hamlet’ – Germany

Best Stage Design Award:

Ashkan Khalilnejad for ‘Boys of History’ – Iran, Tehran

Best Costume Design Award:

Neda Nasr for ‘The List of the Dead’ – Iran, Tehran

Best Music/Sound Design Award:

Valentijn Dhaenens for ‘Big Mouth’ – Belgium

Best Offstage Play (Unusual Places):

‘Guilty Landscapes’ by Dries Verhoeven – The Netherlands

Special Mention:

Remote Tehran, Rimini Protocol Company – Germany

The 36th Fajr International Theater Festival was held January 18 to 28 in Tehran.