Iran, and Oman launched a new container shipping line to transit cargoes between the southern Iranian port city of Bandar Abbas and Port Sultan Qaboos in Oman, IRNA reported, quoting the head of Iran’s Trade Promotion Organization (TPO).

According to Hamid Zadboum, the line which officially started operation on Saturday is going to be used to transit container cargoes, mainly fruits, and vegetables, between the two countries.

Iran and Oman had signed a maritime cooperation agreement in December 2019 for boosting maritime transportation between the two countries.

Based on the agreement, Iranian traders and businessmen would be able to interact constructively with their Omani counterparts, and regular shipping lines were to be established between the two countries, while the two sides also pledged to provide facilities for using each other’s ports.

Iran and Oman have already launched four direct shipping lines between the two countries’ ports.

The first shipping route between the two countries was put into operation in March 2015 between Iran’s Bandar Abbas and Oman’s Sohar.

Later in December 2016, the two neighbors inaugurated direct shipping routes from two Omani ports to the Iranian port of Shahid Bahonar.

In December 2017, the two countries launched another shipping line to connect Iran’s port city of Khorramshahr to the Omani port of Sohar.

Two prominent Iranian Americans, engineer Anousheh Ansari — the first female space tourist — and Dr. Firouz Naderi, director of Solar Systems Exploration at NASA, will represent Iranian auteur Asghar Farhadi and his film ‘The Salesman’ at the upcoming Oscars ceremony, Farhadi’s publicist announced.

Farhadi, whose ‘The Salesman’ is nominated for the foreign-language film Oscars, had announced several weeks ago that he would boycott the Oscars ceremony to protest President Donald Trump’s travel ban, even if exceptions were made to allow him entry to the US.

The film’s French producer, Alexandre Mallet-Guy, said in an email two days ago that he had decided not to attend the ceremony in solidarity with the director, and that nobody from the film would attend. He also said Farhadi would not be doing interviews if the film won.

The decision to ask two prominent Iranian Americans with no ties to the film world to represent him during Sunday’s ceremony suggests that Farhadi intends to maintain a close rapport with the US, where ‘The Salesman’ is currently on release via Cohen Media Group.

Farhadi’s publicist did not comment on the possibility that Ansari and Naderi would relay a statement from Farhadi, or whether a Skype link-up with Farhadi in Iran was a conceivable option in the event of an Oscar victory.

Meanwhile, THR’s awards analyst Scott Feinberg predicted the winners while chief film critic Todd McCarthy offered his picks for who really deserves the Academy Award.

German comedy ‘Toni Erdmann’ was the early favorite, and news of a remake with Jack Nicholson boosted its profile. But it lost the pole position when Farhadi said he’d boycott the Oscars because of President Trump’s attempt at a Muslim travel ban. Look for voters to rebuke Trump by making Farhadi, five years after his win for ‘A Separation’, only the fourth filmmaker (after Fellini, Bergman and Saura) to direct multiple winners.

With two of the very best films of the year from any source, ‘The Handmaiden’ and ‘Elle’, unfortunately not among the final five, the estimable and disarmingly engaging ‘Toni Erdmann’ is the clear choice. The unfortunate eruption of the travel ban issue might have swung some votes to ‘The Salesman’, but the latter isn’t on par with Farhadi’s best work.

World Archery (WA) announced the second best performance of the Rio 2016 Paralympic Games was put in by Iranian para-archer Zahra Nemati.

In a report listing the three best performances delivered by para-archers at the Games, worldarchery.org wrote roundup of the top moments of 2016 continued with the best performances of the Rio 2016 Paralympic Games.

The Rio 2016 Paralympic Games were the most followed Paralympics in history.

From stories of perseverance and sacrifice to true sporting emotion, the archery competition in the Sambodromo brought out the best of the Paralympic spirit.

After shooting in the Olympics in Rio, Nemati performed the extraordinary feat of defending a recurve title from London 2012 with a dramatic, 6-4, win over World Archery Para Champion Wu Chunyan in the Sambodromo.

“There was just a feeling that I had that I knew I was going to win today,” Nemati said. “That’s why I was very calm and relaxed. I just knew I could do it.”

Nemati also took a silver in the recurve mixed team with Ebrahim Ranjbarkivaj, bringing Iran’s total tally of archery medals to four.

Her seemingly endless popularity with the Rio crowd, who were chanting her name throughout, seemed to help.

“The energy from the people around me, the spectators, the people who wanted me to win — all this energy affected me and that was what helped me. I’m very happy, I’m so happy,” she said.

GB women’s W1 team

According to WA the best performance of the Games was produced by the Great Britain para archery team which, in a historic week building up to a golden final 24 hours, took home three golds, two silvers and a bronze to top the Paralympic medal table.

The report added the third best performance was given by China’s standout star compounder Zhou Jiamin who broke the world record for a 15 arrow match and earned gold in the compound women’s open and the compound mixed team open competition, the latter with her teammate Ai Xinliang.

Iran and Oman held a joint meeting with representatives of Shell, Total and Korea Gas Corporation (KOGAS) to discuss ways of cooperation and their partnership in Iranian project for export of gas to Oman.

Directors of National Iranian Gas Export Company and senior directors of Oman Ministry of Petroleum met with the envoys of French Total, British Royal Dutch shell and KOGAS are reportedly discussing Iranian project for gas exports to Oman.

Based on a 2013 deal between Iran and Oman, Iran will export 1.5 billion cubic feet/day of gas to Oman through a Persian Gulf seabed pipeline. Regarding its importance, the project will boost Iran-Oman ties and energy ties in the Middle East.

Iranian and Omani ministers of petroleum late August signed a Memorandum of Understanding for natural gas exports with regards to the emphasis of Iranian President Hassan Rouhani and Omani King Qaboos.

Three foreign banks are opening up representative offices in Iran as the country seeks to boost investment after reaching an international sanctions deal last year, a senior official with the Central Bank of Iran (CBI) said.

Oman’s Bank Muscat SAOG, Woori Bank of South Korea and India’s UCO Bank Ltd. are all in the process of establishing a presence in Tehran, CBI Vice Governor Peyman Qorbani said Tuesday in an interview. He declined to give further details, Bloomberg wrote.

Major European banks have kept their distance from Iran, despite its nuclear deal with world powers, for fear of running foul of remaining US sanctions.

Central Bank of Iran Governor Valiollah Seif said progress with foreign banks has been “slow,” IRNA reported in September.

Austrian and Iranian bankers met in Vienna in September to discuss the resumption of trade financing, people with knowledge of the plans said at the time.

Austria’s top three banks, Erste Group Bank AG, UniCredit Bank Austria AG and Raiffeisen Bank International AG would be among the participants, according to the people, who asked not to be identified.

A woman passes by a public bus on which a movie ad is drawn in Tehran, Iran.

Photo by Ali Rasouli.

Iranian athletes have secured twelve medals, ranking 21st at the 2024 Olympic Games in Paris, France.

The Iranian athletes concluded their participation in this summer’s Olympics with a total of twelve medals comprising three gold, six silver, and three bronze.

In Greco-Roman wrestling, Saeed Esmaeili and Mohammad-Hadi Saravi each won gold in the 67 kg and 97 kg categories respectively. Alireza Mohmadi also won silver in the 87 kg category.

In freestyle wrestling, Hassan Yazdani (86kg), Amir-Hossein Zare (125kg), and Rahman Amouzad (65 kg) each earned a silver medal.

Additionally, Taekwondo practitioner Arian Salimi (+80kg) claimed a gold medal for Iran. Taekwondo athletes Mehran Barkhordari (-82 kg) and Nahid Kiani (-57 kg) each took home a silver medal.

Furthermore, Mobina Nematzadeh (-49 kg) in Taekwondo, Amin Mirzazadeh (130 kg) in Greco-Roman wrestling, and Amir-Ali Azarpira (97 kg) in Freestyle wrestling each won bronze medals.

The Iranian sports delegation took part in the 33rd edition of the Olympic Games in Paris, fielding 40 athletes across 14 disciplines.

They concluded their participation in the Paris 2024 Olympics with a 21st-place finish, ascending six ranks from their previous performance in Tokyo.

In the preceding Tokyo Games in 2021, the Iranian team secured three gold, two silver, and two bronze medals.

The 33rd Olympic Games in Paris, which kicked off with the opening ceremony on July 26, officially came to a close on August 11.

By: Sadeq Hosseini, Farbod Khalili: IranThisWay.com| Coronavirus has become a household name in its short existence among us. Months of lockdown and extreme caution have turned us all into self-proclaimed virologists and epidemiologists. So, by now, you should know well that staying home is one of the best and easiest ways to help prevent the spread of COVID-19.
But have you ever wondered what happens to the homeless?
After all, they are among the most vulnerable to coronavirus.
Figures show at least two percent of the world’s population -or about 150 million people- does not have a home.
The pandemic shut down homeless shelters, just like other public places and businesses, over fears that outbreaks in crowded facilities with vulnerable people in poor health could be catastrophic.
Therefore, hotels, parking lots, stadiums, and other facilities that could house rough sleepers were turned into emergency shelters for the homeless.
Tehran, just like other megacities, is dealing with the homelessness problem. Some studies put the number of the capital’s rough sleepers at around 10 thousand. But data provided by the municipality shows homeless shelters do not operate on full capacity in warmer months of the year. In other words, the homeless prefer to stay homeless unless it is absolutely necessary! But the outbreak changed everything.
There are currently 62 social service shelters operating across Tehran with the capacity of over 64 hundred. Every year, about 300 thousand people -the homeless, street beggars, and other needy individuals- use the services provided by these centers. They range in age from 18 to 90 years. But most of the homeless are between 35 to 40 years old.
Soon after the emergence of the outbreak, Tehran municipality took extreme precautionary measures in line with general health protocols to prepare these homes for the new situation.

We are on in a shelter for homeless women in a western neighborhood of Tehran. Tehran municipality built and equipped this place with the help of donors.
One of the early challenges facing almost all cities all around the world was the shortage of face masks. And this was no exception for the shelters. In fact, given that most of the homeless suffer from long term conditions, becoming infected with the virus could have severe consequences for them. So, the shelters started to produce their own masks; thousands of them every day.

Roqiyeh Beigzadeh, Social worker: Chitgar homeless shelter for women has a bed capacity of 450. Currently around 150 people – mainly addicts and those rejected by their families- between the ages of 18 to 60 reside here. The center is open 24/7, and aside from providing three hot meals, it also offers medical and psychiatric services and consultations to individuals, and works to reunite them with their families.

Beigzadeh said: Coronavirus made our work much harder since we had to check the residents’ symptoms and disinfect the facility on a daily basis, as well as providing prevention training for them.

She added: A face mask production workshop was assembled with the help of the residents to produce, disinfect and package between 500 to 1000 masks daily.

Aida, 37 years old: The safe space this center creates, as well as the possibility of staying around the clock and, of course, the excellent rapport with social workers are some of the more important reasons convincing me to stay here for a long time. Here we have everything a woman needs. We were quarantined after the emergence of the outbreak. Our symptoms like fever were checked, and thank God I had no problem here. I go out with my friends here from time to time to take care of my personal and sometimes administrative work. There is a theater, a library and sports equipment, and I use these facilities.

Tanaz Amini, Emergency medical technician & paramedic: During this time we only had one suspicious case who was then sent to the hospital and later diagnosed with an overdose. Aside from that, we have had no other suspicious cases in the three months since the start of the outbreak. In the early days, the homeless would not accept the new health protocols and resisted them. But with the passage of time and some training, they would come to us to have their symptoms checked and make sure they did not have the disease.

This is Khavaran Shelter in southeast of Tehran with a 600 bed capacity. Until before coronavirus, its sleeping capacity was never even nearly full in spring and summer. But now, the capacity has been increased to 1000.

Abbas Nejad, Technical assistant, Khavaran shelter: The shelter has a capacity of 450 people, and it admits people from 18 to 80 years old. With the spread of coronavirus and the closure of other addiction treatment centers, there’s been an increase in the number of referrals. Following the announcement of health protocols, our job became harder. Accordingly, we disinfect the complex several times a day. Before admission, we disinfect the individuals. They have seperate beds.

Pirouz Hanachi, Tehran mayor : The 21 shelters of Tehran host about 66,000 people every month. The individuals receive three meals a day as well as medical care. Despite the fact the shelters are often crowded, we have not recorded any covid-19 since the start of the outbreak.

Tehran mayor said: We achieved this feat with help from the individuals themselves – after receiving proper training and equipment like face masks- and following the implementation of strict health protocols like constant disinfection of the facilities.

Tehran was one the first and worst-hit cities in the world. The early days of the pandemic were chaotic with people panic buying sanitary products and staple food items. But even back then, the municipality never seized its services to the most vulnerable and the needy. And that’s why no one -not a single soul- in the homeless population has contracted the disease so far; a truly remarkable feat.
We are a strong nation. We have experienced all sorts of ups and downs in recent history only to come on top successfully every single time. So, I’m sure we will put this crisis behind us with flying colors. But this doesn’t mean we should relax precautions.

Governor-General of Hormozgan province said that petroleum and refinery mega projects are being done in Jask County, adding that Mokran Coasts will become Iran’s new energy and petrochemical industry hub soon.

Fereidoun Hemmati who recently had visited the implementing process of oil and refinery projects in the coasts of Mokran told local media on Friday that mega projects in the oil transmission line, the oil export terminal, and the port and offshore oil export are underway in Jask County.

“Mokran coastline can play a special role in the future of marine exchanges,” Hemmati added.

He went on to say that each of these mega projects that are underway by Iranian specialists and engineers, and by the completion of oil transmission line, crude oil will be transferred from Goreh to Jask via a transmission line.

Construction of Goreh-Jask pipeline project and Jask export terminal officially commenced on Jun 25, 2020.

Governor-General of Hormozgan province added that an oil export terminal project is also being done in the Mokran coasts with a capacity of 10 million barrels.

Mokran coastal region is located in Balouchestan province in southeastern Iran and southwestern Pakistan, it is a 600-mi (1,000-km) stretch along the Gulf of Oman from Ra’s (cape) al-Kūh, Iran (west of Jask), to Lasbela District, Pakistan (near Karachi).

Mokran is a semi-desert coastal strip in the South of Sistan and Baluchestan, in Pakistan and Iran, along the Persian Gulf and the Sea of Oman.

According to official statistics, about 40,000 jobs have been created directly and two to 3,000 indirectly.

Iran’s Mokran coastal area are the perfect places for the development of the petrochemical industry and, given the wide availability of gas resources, are highly valuable for this region’s development.

The strategic position of Mokran coasts, along the Sea of Oman, the new port will be established to increase Iran’s marine traffic in international waters and the oceans.

Iranian acclaimed film director and screenwriter Rakhshan Bani-Etemad was picked by the Internet Movie Database (IMDb) among the women whose work contributed to the history of cinema.

Celebrating Women’s History Month (March 1-31), IMDb published a video on Twitter to take a look back at “cinematic history in salute of the pioneering women directors and their groundbreaking work,” the online entertainment database tweeted along the video that featured scenes of Bani-Etemad’s 2014 drama, Tales (Ghesseh-ha).

Born in Tehran in 1954, Bani-Etemad – who holds a Bachelor of Arts degree in film studies from the Dramatic Arts University in Tehran – is widely considered as the most important female director in Iran, titled ‘First Lady of Iranian Cinema’.

Her movies and documentaries picture social and cultural issues and complications in modern-day Iran.

The Tales – which adopts an episodic narrative – portrays the fates of seven characters of Bani-Etemad’s previous flicks.

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گزارش امروز فرانك آرتا در روزنامه شرق از مجموعه #كارستان : بنی‌اعتماد: معتقد نیستم ایده‌ها جرقه‌ای هستند که ناگهان به ذهن آدم خطور می‌کنند. طبیعتا دغدغه‌ها و موضوعاتی که پیش‌تر به دلایل مختلف ذهن را به خود مشغول کرده‌اند، زمانی بعدتر به صورت یک ایده خود را نشان می‌دهند. درواقع «کارستان» وجه دیگری از دغدغه‌های من در کارهای دیگر سینمایی و مستندم است. به همان اندازه که اعتقاد دارم در سینمای اجتماعی مستند یا داستانی پرداختن به معضلات، نارسایی‌ها، کاستی‌ها و آسیب‌ها مهم‌اند، در کنارش این ایده که خواهم گفت چطور شکل گرفت هم اهمیت دارد. زمانی فکر می‌کردم در برابر همه این نارسایی‌ها، مشکلات و معضلاتی که وجود دارد کسانی هستند که با دغدغه‌های شخصی، ولی با رویکرد بهبودبخشی وضعیت جامعه با همه موانعی که پیش‌رویشان وجود دارد سعی می‌کنند جهان خود و پیرامونشان را بهبود ببخشند. البته اینها کسانی نیستند که از اول فکر می‌کنند رسالتشان تغییر جهان است؛ ایده‌ای که فکر می‌کنم الان به اشکال مختلف در تفکرات مختلف جهان مدرن هم شکل می‌گیرد که اگر از اصلاح پیرامون خودمان شروع کنیم، جزیره‌های کوچک به اقیانوس تبدیل می‌شوند. شروع شکل‌گیری این ایده به آشنایی من با «بنیاد توسعه کارآفرینی زنان و جوانان» از طریق خانم «فیروزه صابر»، زمانی که تازه ‌تأسیس شده بود، برمی‌گردد.

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The film won the award for Best Screenplay (written by Bani-Etemad and Farid Mostafavi) at the 71st Venice International Film Festival.

It also brought Bani-Etemad the Golden Royal Bengal Tiger Award – dedicated to best film – at Kolkata International Film Festival in 2014, as well as the Special Jury Prize at Asia Pacific Screen Awards (Australia) in the same year.

Also featured in IMDb’s short video were the likes of Sofia Coppola, Jodie Foster, Meryl Streep, Chinese-American film director Lulu Wang, Sarah Polley, and Barbra Streisand.

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Rakhshan Banietemad

Rakhshan Banietemad, born in 1954 Tehran, began to make documentaries for the Iranian National Television in 1979, right after graduating from the University of Dramatic Arts, Tehran. From 1979 to 1987 she focused on making only documentaries. In 1987, she directed her first feature film Off the Limits. In 1991, she became the first woman recipient of the Best Director award for Nargess at Fajr International Film Festival in Iran. In 1995, she won the Bronze Leopard for The Blue Veiled at the Locarno Film Festival. Under the Skin of the City, her next film, was the highest grossing film in Iran in 2000. This film along with Gilaneh (2005) and Mainline (2006), garnered major awards in more than 50 film festivals.

While Banietemad’s feature films have been acclaimed and honored worldwide, her documentaries have also been successful and popular internationally. Our Times …, was the first documentary ever to be released in the movie theatres in Iran in 2002. It was also screened in highly prestigious and prominent festivals and TV channels such as IDFA, Sundance Film Festival and ARTE.

Banietemad started her work by making documentaries and has never ended the strong connection she has always had with her works. Making documentaries have been her main way of connecting with the society and social issues. Her approach and in depicting social issues has been so strong and effective that her works have always resulted in causing change in the lives of her documentaries’ characters.

In 2008, she received an honorary doctorate from University of London, in 2010, she was awarded the Prix Henri Langlois from Vincennes International Film Festival. Her latest feature film, Tales, was awarded the Best Screenplay prize in the main competition section of 2014 Venice International Film Festival.

More recently, she has joined the Academy Oscar, Writers branch in 2017.

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روز خبرنگاران واقعي مبارك ? مبارك تر وقتي امنيت حرفه اي شان تضمين شود . مبارك تر وقتي حرمت شغل مقدس شان بيشتر حفظ شود . مبارك تر وقتي عدالت اقتصادي در برابر كار پر مسئوليت شان رعايت شود. مبارك تر وقتي اهميت كار پر خطرشان در محدوديت بايد و نبايد ها ، دانسته شود . درود بر خبرنگاران واقعي و قلم به دستان مسئول و دغدغه مند كه علمداران آگاهي بخشي هستند . بازهم روز خبرنگار بر خبرنگاران واقعي مبارك باد . رخشان بني اعتماد ? ? نسیم روحانی #خبرنگار #روز_خبرنگار #رسانه #خبر

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Feature Films

• Tales (Ghesseh ha), 2014
• Heiran (producer), Director: Shalizeh Arefpour, 2009
• Mainline (Khun bazi), 2006
• Gilaneh, 2005
• Under the Skin of the City (Zir-e pust-e shahr), 2000
• Baran and the Native (Baran va bumi), part of feature-film Kish, 1998
• The May Lady (Banu-ye ordibehesht), 1997
• The Blue Veiled (Rusari abi), 1994
• Nargess, 1991
• Foreign Currency (Poul-e khareji), 1989
• Canary Yellow (Zard-e qanari), 1988
• Off the Limits (Kharej az mahdudeh), 1987

DOCUMENTARIES

• Touran Khanom, Co director, 2018
• Karestan Documentary films as follows (Artistic consultant), 2013 -17  Film 1. Poets of Life
   Film 2. Puzzleys
   Film 3. Mother of the Earth
   Film 4. MAHAK: A World She Founded
   Film 5. Friends at Work
   Film 6. Flax to Fire
• Hey, Humans (Ay, Adamha), 2016
• A Lifetime in an Hour (Yek saat az yek omr), 2015
• All My Trees (Hameh derakhtan-e man), 2015
• The Other Side of Mirrors (An sooy-e ayeneh ha), 2014
• The Mirrors Recital (Concert-e ayeneh ha), 2014
• The Concert of the Lords of Secrets (concert-e khodavandan-e asrar), 2014
• Mahak My Home (Khaneh man Mahak), a teamwork, 2014
• Keep Children in School (Bacheh ha ra dar madreseh negahdarim), a teamwork, 2012
• The Room No. 202 (Otahgh-e 202) Part of “Kahrizak 4 Views”, 2012
• See you Tomorrow Elina (Farda mibinamet Elina), 2010
• We Are Half of Iran’s Population (Ma nimi az jameiat-e Iranim), 2009
• Angels of the House of Sun (Hayat khalvate khaneh khorshid), 2009
• Second Home (producer), Director: Mahvash Sheikholeslami, 2008
• 3D Carpet (Farsh-e 3 Bodi), Part of “Iranian Carpet”, 2007
• Our Times… (Ruzegar-e ma…), 2002
• Under the Skin of the City (Zir-e pust-e shahr), 1996
• The Last Visit with Iran Daftari (Akharin didar ba Iran Daftari), 1995
• To Whom Do You Show These Films? (In filmha ra beh ki neshun midin?), 1993
• Spring to Spring (Bahar ta bahar), 1993
• The 1992 Report (Gozaresh-e 71), 1993
• Centralization (Tamarkoz), 1986
• The War Economic Planning (Tadbirha-ye eqtesadi-e jang), 1981
• Occupation of Migrant Peasants in the City (Mohajerin-e roustai dar shahr),1980
• The Culture of Consumption (Farhang-e masrafi), 1979

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رخشان بنی اعتماد داور جشنواره «وزول» فرانسه شد رخشان بنی اعتماد در جمع داوران بیست و سومین جشنواره فیلم «وزول» فرانسه حضور دارد. به گزارش «پایگاه خبری فیلم کوتاه» این جشنواره یکی از قدیمی‌ترین جشنواره‌های مربوط به سینمای آسیاست که در اروپا برگزار می‌شود. رخشان بنی اعتماد یکی از داوران بخش رقابتی اصلی جشنواره است. در همین بخش فیلم سینمایی به دنیا آمدن به کارگردانی محسن عبدالوهاب با دیگر آثار جشنواره رقابت می‌کند. ضمن اینکه جشنواره در بخش جنبی فیلم‌های گاو به کارگردانی داریوش مهرجویی و دلبران ساخته ابوالفضل جلیلی را به نمایش می‌گذارد. بیست و سومین جشنواره فیلم «وزول» 7 تا 14 فوریه در فرانسه برگزار می‌شود.

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Awards

• Diploma of Honor of Child Book Council’s, Tehran, Iran, March 2018
• Diploma of Honor of ‘Children’s Research Institute, Tehran, Iran, December 2018
• Special Cinema Section Award, 2nd  Davood Rashidi Commemorative Award, Tehran, Iran, August  2018
• Honorary Award, 7th Int’l Malatya FF (Turkey) 2017
• Honorary Golden Cyclo, 23th Vesoul Film Festival (France), 2017
• Ethics and Prayer Award for social and civilian activities (Iran), 2016
• Cinema Honorary Award, 4th Int’l Women FF (Afghanistan), 2016
• Cinema Honorary Award, 6th Int’l Crime & Punishment FF (Turkey), 2016
• Best Film, Tales, Prague Iranian FF (Chezk), 2016
• Audience Award, Tales, Gene Siskel Film Center (USA), 2015
• Best Film, Tales, London Iranian FF (UK), 2015
• Special Jury Prize, Tales, Asia Pacific Screen Awards (Australia), 2014
• Best Film, Tales, Golden Royal Bengal Tiger Award, Kolkata Int’l FF (India), 2014
• Best Screenplay prize, Tales, Venice Int’l FF (Italy), 2014
• Special Jury Prize, Kahrizak 4 views, Dubai Int’l FF (UAE), 2012
• Prix Henri Langlois, Vincennes Int’l FF (France), 2010
• Special Jury Prize, We Are Half of Iran’s Population, (WIFTS) (USA), 2009
• Special Jury Prize & Best Actress, Mainline, Dhaka Int’l FF (Pakistan), 2009
• Best Screenplay & Best Actress, Mainline, Pyongyang Int’l FF (North Korea), 2008
• Grand Jury Prize, Mainline. Int’l Women’s Film Festival (Creteil, France), 2008
• Achievement in Directing, Mainline, Asia Pacific Screen Awards (Australia), 2007
• Best Director & Best Actress, Mainline, Iran Cinema House Awards (Iran), 2007
• Best Director & Best Actress, Mainline, Fajr Int’l FF (Iran), 2007
• Best Film, Mainline, City Int’l FF (Iran), 2006
• Best Film, Mainline, Asiatica Film Mediale (Italy), 2006
• Special Jury Prize, Gilaneh, Las Palmas de Gran Canaria Int’l FF (Spain), 2006
• Netpac Award, Gilaneh, Vesoul Asian Film Festival (France), 2006
• Golden Lotus Award, Iranian Women Film Directors (Iran), 2006
• Best Film & Best Actress, Gilaneh, Kara Int’l FF (Pakistan), 2005
• Artistic & Cultural Achievement Award, Kara Int’l FF (Pakistan), 2004
• Special Jury Award, Under the Skin of the City, Seattle Int’l FF (USA), 2002
• Netpac Award, Our Times…, Locarno Int’l FF (Swiss), 2002
• Netpac Award, Under the Skin of the City, Karlovy Vary Int’l FF (Chezk), 2001
• Holden Award for Best Script, Audience Award, & Cinemavvenire Award for Best Feature Film, Under the Skin of the City, Turin Int’l FF (Italy), 2001
• Special Jury Prize, Under the Skin of the City, Moscow Int’l FF (Russia), 2000
• Special Jury Award, The May Lady, Fajr Int’l FF (Iran), 1998
• Honorable Mention, FIPRESCI Award, The May Lady, Montreal Int’l FF (Canada), 1998
• Prince Claus Prize for Culture and Development (The Netherlands), 1998
• “Il Sindaco di Firenze” Peace and Freedom Award (Italy), 1998
• Best Asian Woman Director, The Blue Veiled, India Int’l FF (India), 1996
• FIPRESCI Award, The Blue Veiled, Tessaloniki Int’l FF (Greece), 1996
• Bronze Leopard, The Blue Veiled, Locarno Int’l FF (Swiss) 1995
• Best Script & Best Supporting Actress, The Blue Veiled, Fajr Int’l FF (Iran), 1994
• Best Director & Best Musical Score, Nargess, Fajr Int’l FF (Iran), 1991
• Best Supporting Actor, Canary Yellow, Fajr Int’l FF (Iran), 1988
• Best Film, Off the Limits, Comedy Int’l FF (Italy), 1987

PROFESSIONAL DISTINCTIONS

• Jury Member, Dhaka Int’l FF Bangladesh), 2020
• President of the jury, Herat Film Festival (Afghanistan), 2019
• Jury Member, Mumbai Int’l FF (India), 2018
• Jury Member, Venice Int’l FF (Italy), 2017
• Academy Oscars Member, Writers Branch, 2017
• President of the jury, Vesoul Film Festival (France), 2017
• President of the jury, Prague Iranian Film Festival (Czech), 2017
• President of the jury, Image Film Festival (Iran), 2016
• President of the jury, Cinema Verite Int’l FF (Iran), 2013
• President of the jury, Busan Int’l FF (South Korea), 2013
• Master Class, California Institute of the Arts (USA), 2013
• Jury Member, Shanghai Int’l FF (China), 2012
• Jury Member, Dubai Int’l FF (UAE), 2010
• Jury Member, Asiatic Film Mediale Festival (Italy), 2010
• Master Class, Walker Art Center, Minneapolis (USA), 2010
• Jury Member, Fribourg Int’l FF (Switzerland), 2010
• Jury Member, Urban Int’l FF (Iran), 2009
• Producer, Heiran, feature-film (Iran), 2009
• Producer, Second House, documentary (Iran), 2008
• Honorary Doctorate, University of London (Iran), 2008
• Master Class, School of Oriental and African Studies, SOAS (England), 2008
• Master Class, Geneva University of Art & Design (ESBA), 2008
• Jury Member, Cinema Verite Int’l FF (Iran), 2007
• Jury Member, Women’s Film Festival (Iran), 2006
• Jury Member, Asian Cinema, Fajr Int’l FF (Iran), 2006
• Jury Member, Art University Student Festival (Iran), 2005
• Director, Sony Young Directors Film Festival (Iran), 2003
• Jury Member, Asia Pacific Film Festival (Iran), 2003
• Jury Member, Sony Young Directors Film Festival (Iran), 2002
• Jury Member, Moscow Int’l FF (Russia), 2002
• Jury Member, Cairo Int’l FF (Egypt), 2002
• Jury Member, Fajr Int’l FF (Iran), 2001
• Jury Member, Montreal Int’l FF (Canada), 2001
• Jury Member, Youth Film Festival (Iran), 2001
• Jury Member, Student Film Festival (Iran), 1999
• Jury Member, Leipzig Int’l FF (Germany), 1999
• Jury Member, Tokyo Environmental Int’l FF, (Japan), 1998
• Jury Member, New Delhi Int’l FF (India), 1998
• Jury Member, Student Film Festival (Iran), 1997
• Jury Member, Locarno Int’l FF (Swiss), 1996
• Jury Member, Turin Int’l FF (Italy), 1995
• Jury Member, Center for Iranian Film Directors (Iran), 1993
• Jury Member, Roshd Film Festival (Iran), 1992
• Jury Member, Fajr Int’l FF (Iran), 1990

KÂRÂ FILM STUDIO

KARA Film Studio is a name under which a group of professional Iranian filmmakers express their common concerns regarding humanistic, social and cultural issues through documentary films, while maintaining their own diverse and distinct vision. In KARA Film Studio, filmmakers in small or large numbers, gather together and, starting with an outline of a documentary project, complete the work in a professional manner.

KARA Film Studio operates under a number of principles: personal financing or financing through private sector; working as teams and in a workshop from development of an idea through to its completion and distribution; giving young and talented documentary filmmakers an opportunity to work with professionals and assistance with their development, due respect for the audience by maintaining high standards in the production phase, endeavor to provide improved and increased means of screening films inside and outside Iran; …
Rakhshan Banietemad and Mojtaba Mirtahmasb are the constant participants in this group.