Iranian acclaimed film director and screenwriter Rakhshan Bani-Etemad was picked by the Internet Movie Database (IMDb) among the women whose work contributed to the history of cinema.

Celebrating Women’s History Month (March 1-31), IMDb published a video on Twitter to take a look back at “cinematic history in salute of the pioneering women directors and their groundbreaking work,” the online entertainment database tweeted along the video that featured scenes of Bani-Etemad’s 2014 drama, Tales (Ghesseh-ha).

Born in Tehran in 1954, Bani-Etemad – who holds a Bachelor of Arts degree in film studies from the Dramatic Arts University in Tehran – is widely considered as the most important female director in Iran, titled ‘First Lady of Iranian Cinema’.

Her movies and documentaries picture social and cultural issues and complications in modern-day Iran.

The Tales – which adopts an episodic narrative – portrays the fates of seven characters of Bani-Etemad’s previous flicks.

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گزارش امروز فرانك آرتا در روزنامه شرق از مجموعه #كارستان : بنی‌اعتماد: معتقد نیستم ایده‌ها جرقه‌ای هستند که ناگهان به ذهن آدم خطور می‌کنند. طبیعتا دغدغه‌ها و موضوعاتی که پیش‌تر به دلایل مختلف ذهن را به خود مشغول کرده‌اند، زمانی بعدتر به صورت یک ایده خود را نشان می‌دهند. درواقع «کارستان» وجه دیگری از دغدغه‌های من در کارهای دیگر سینمایی و مستندم است. به همان اندازه که اعتقاد دارم در سینمای اجتماعی مستند یا داستانی پرداختن به معضلات، نارسایی‌ها، کاستی‌ها و آسیب‌ها مهم‌اند، در کنارش این ایده که خواهم گفت چطور شکل گرفت هم اهمیت دارد. زمانی فکر می‌کردم در برابر همه این نارسایی‌ها، مشکلات و معضلاتی که وجود دارد کسانی هستند که با دغدغه‌های شخصی، ولی با رویکرد بهبودبخشی وضعیت جامعه با همه موانعی که پیش‌رویشان وجود دارد سعی می‌کنند جهان خود و پیرامونشان را بهبود ببخشند. البته اینها کسانی نیستند که از اول فکر می‌کنند رسالتشان تغییر جهان است؛ ایده‌ای که فکر می‌کنم الان به اشکال مختلف در تفکرات مختلف جهان مدرن هم شکل می‌گیرد که اگر از اصلاح پیرامون خودمان شروع کنیم، جزیره‌های کوچک به اقیانوس تبدیل می‌شوند. شروع شکل‌گیری این ایده به آشنایی من با «بنیاد توسعه کارآفرینی زنان و جوانان» از طریق خانم «فیروزه صابر»، زمانی که تازه ‌تأسیس شده بود، برمی‌گردد.

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The film won the award for Best Screenplay (written by Bani-Etemad and Farid Mostafavi) at the 71st Venice International Film Festival.

It also brought Bani-Etemad the Golden Royal Bengal Tiger Award – dedicated to best film – at Kolkata International Film Festival in 2014, as well as the Special Jury Prize at Asia Pacific Screen Awards (Australia) in the same year.

Also featured in IMDb’s short video were the likes of Sofia Coppola, Jodie Foster, Meryl Streep, Chinese-American film director Lulu Wang, Sarah Polley, and Barbra Streisand.

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Rakhshan Banietemad

Rakhshan Banietemad, born in 1954 Tehran, began to make documentaries for the Iranian National Television in 1979, right after graduating from the University of Dramatic Arts, Tehran. From 1979 to 1987 she focused on making only documentaries. In 1987, she directed her first feature film Off the Limits. In 1991, she became the first woman recipient of the Best Director award for Nargess at Fajr International Film Festival in Iran. In 1995, she won the Bronze Leopard for The Blue Veiled at the Locarno Film Festival. Under the Skin of the City, her next film, was the highest grossing film in Iran in 2000. This film along with Gilaneh (2005) and Mainline (2006), garnered major awards in more than 50 film festivals.

While Banietemad’s feature films have been acclaimed and honored worldwide, her documentaries have also been successful and popular internationally. Our Times …, was the first documentary ever to be released in the movie theatres in Iran in 2002. It was also screened in highly prestigious and prominent festivals and TV channels such as IDFA, Sundance Film Festival and ARTE.

Banietemad started her work by making documentaries and has never ended the strong connection she has always had with her works. Making documentaries have been her main way of connecting with the society and social issues. Her approach and in depicting social issues has been so strong and effective that her works have always resulted in causing change in the lives of her documentaries’ characters.

In 2008, she received an honorary doctorate from University of London, in 2010, she was awarded the Prix Henri Langlois from Vincennes International Film Festival. Her latest feature film, Tales, was awarded the Best Screenplay prize in the main competition section of 2014 Venice International Film Festival.

More recently, she has joined the Academy Oscar, Writers branch in 2017.

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روز خبرنگاران واقعي مبارك ? مبارك تر وقتي امنيت حرفه اي شان تضمين شود . مبارك تر وقتي حرمت شغل مقدس شان بيشتر حفظ شود . مبارك تر وقتي عدالت اقتصادي در برابر كار پر مسئوليت شان رعايت شود. مبارك تر وقتي اهميت كار پر خطرشان در محدوديت بايد و نبايد ها ، دانسته شود . درود بر خبرنگاران واقعي و قلم به دستان مسئول و دغدغه مند كه علمداران آگاهي بخشي هستند . بازهم روز خبرنگار بر خبرنگاران واقعي مبارك باد . رخشان بني اعتماد ? ? نسیم روحانی #خبرنگار #روز_خبرنگار #رسانه #خبر

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Feature Films

• Tales (Ghesseh ha), 2014
• Heiran (producer), Director: Shalizeh Arefpour, 2009
• Mainline (Khun bazi), 2006
• Gilaneh, 2005
• Under the Skin of the City (Zir-e pust-e shahr), 2000
• Baran and the Native (Baran va bumi), part of feature-film Kish, 1998
• The May Lady (Banu-ye ordibehesht), 1997
• The Blue Veiled (Rusari abi), 1994
• Nargess, 1991
• Foreign Currency (Poul-e khareji), 1989
• Canary Yellow (Zard-e qanari), 1988
• Off the Limits (Kharej az mahdudeh), 1987

DOCUMENTARIES

• Touran Khanom, Co director, 2018
• Karestan Documentary films as follows (Artistic consultant), 2013 -17  Film 1. Poets of Life
   Film 2. Puzzleys
   Film 3. Mother of the Earth
   Film 4. MAHAK: A World She Founded
   Film 5. Friends at Work
   Film 6. Flax to Fire
• Hey, Humans (Ay, Adamha), 2016
• A Lifetime in an Hour (Yek saat az yek omr), 2015
• All My Trees (Hameh derakhtan-e man), 2015
• The Other Side of Mirrors (An sooy-e ayeneh ha), 2014
• The Mirrors Recital (Concert-e ayeneh ha), 2014
• The Concert of the Lords of Secrets (concert-e khodavandan-e asrar), 2014
• Mahak My Home (Khaneh man Mahak), a teamwork, 2014
• Keep Children in School (Bacheh ha ra dar madreseh negahdarim), a teamwork, 2012
• The Room No. 202 (Otahgh-e 202) Part of “Kahrizak 4 Views”, 2012
• See you Tomorrow Elina (Farda mibinamet Elina), 2010
• We Are Half of Iran’s Population (Ma nimi az jameiat-e Iranim), 2009
• Angels of the House of Sun (Hayat khalvate khaneh khorshid), 2009
• Second Home (producer), Director: Mahvash Sheikholeslami, 2008
• 3D Carpet (Farsh-e 3 Bodi), Part of “Iranian Carpet”, 2007
• Our Times… (Ruzegar-e ma…), 2002
• Under the Skin of the City (Zir-e pust-e shahr), 1996
• The Last Visit with Iran Daftari (Akharin didar ba Iran Daftari), 1995
• To Whom Do You Show These Films? (In filmha ra beh ki neshun midin?), 1993
• Spring to Spring (Bahar ta bahar), 1993
• The 1992 Report (Gozaresh-e 71), 1993
• Centralization (Tamarkoz), 1986
• The War Economic Planning (Tadbirha-ye eqtesadi-e jang), 1981
• Occupation of Migrant Peasants in the City (Mohajerin-e roustai dar shahr),1980
• The Culture of Consumption (Farhang-e masrafi), 1979

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رخشان بنی اعتماد داور جشنواره «وزول» فرانسه شد رخشان بنی اعتماد در جمع داوران بیست و سومین جشنواره فیلم «وزول» فرانسه حضور دارد. به گزارش «پایگاه خبری فیلم کوتاه» این جشنواره یکی از قدیمی‌ترین جشنواره‌های مربوط به سینمای آسیاست که در اروپا برگزار می‌شود. رخشان بنی اعتماد یکی از داوران بخش رقابتی اصلی جشنواره است. در همین بخش فیلم سینمایی به دنیا آمدن به کارگردانی محسن عبدالوهاب با دیگر آثار جشنواره رقابت می‌کند. ضمن اینکه جشنواره در بخش جنبی فیلم‌های گاو به کارگردانی داریوش مهرجویی و دلبران ساخته ابوالفضل جلیلی را به نمایش می‌گذارد. بیست و سومین جشنواره فیلم «وزول» 7 تا 14 فوریه در فرانسه برگزار می‌شود.

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Awards

• Diploma of Honor of Child Book Council’s, Tehran, Iran, March 2018
• Diploma of Honor of ‘Children’s Research Institute, Tehran, Iran, December 2018
• Special Cinema Section Award, 2nd  Davood Rashidi Commemorative Award, Tehran, Iran, August  2018
• Honorary Award, 7th Int’l Malatya FF (Turkey) 2017
• Honorary Golden Cyclo, 23th Vesoul Film Festival (France), 2017
• Ethics and Prayer Award for social and civilian activities (Iran), 2016
• Cinema Honorary Award, 4th Int’l Women FF (Afghanistan), 2016
• Cinema Honorary Award, 6th Int’l Crime & Punishment FF (Turkey), 2016
• Best Film, Tales, Prague Iranian FF (Chezk), 2016
• Audience Award, Tales, Gene Siskel Film Center (USA), 2015
• Best Film, Tales, London Iranian FF (UK), 2015
• Special Jury Prize, Tales, Asia Pacific Screen Awards (Australia), 2014
• Best Film, Tales, Golden Royal Bengal Tiger Award, Kolkata Int’l FF (India), 2014
• Best Screenplay prize, Tales, Venice Int’l FF (Italy), 2014
• Special Jury Prize, Kahrizak 4 views, Dubai Int’l FF (UAE), 2012
• Prix Henri Langlois, Vincennes Int’l FF (France), 2010
• Special Jury Prize, We Are Half of Iran’s Population, (WIFTS) (USA), 2009
• Special Jury Prize & Best Actress, Mainline, Dhaka Int’l FF (Pakistan), 2009
• Best Screenplay & Best Actress, Mainline, Pyongyang Int’l FF (North Korea), 2008
• Grand Jury Prize, Mainline. Int’l Women’s Film Festival (Creteil, France), 2008
• Achievement in Directing, Mainline, Asia Pacific Screen Awards (Australia), 2007
• Best Director & Best Actress, Mainline, Iran Cinema House Awards (Iran), 2007
• Best Director & Best Actress, Mainline, Fajr Int’l FF (Iran), 2007
• Best Film, Mainline, City Int’l FF (Iran), 2006
• Best Film, Mainline, Asiatica Film Mediale (Italy), 2006
• Special Jury Prize, Gilaneh, Las Palmas de Gran Canaria Int’l FF (Spain), 2006
• Netpac Award, Gilaneh, Vesoul Asian Film Festival (France), 2006
• Golden Lotus Award, Iranian Women Film Directors (Iran), 2006
• Best Film & Best Actress, Gilaneh, Kara Int’l FF (Pakistan), 2005
• Artistic & Cultural Achievement Award, Kara Int’l FF (Pakistan), 2004
• Special Jury Award, Under the Skin of the City, Seattle Int’l FF (USA), 2002
• Netpac Award, Our Times…, Locarno Int’l FF (Swiss), 2002
• Netpac Award, Under the Skin of the City, Karlovy Vary Int’l FF (Chezk), 2001
• Holden Award for Best Script, Audience Award, & Cinemavvenire Award for Best Feature Film, Under the Skin of the City, Turin Int’l FF (Italy), 2001
• Special Jury Prize, Under the Skin of the City, Moscow Int’l FF (Russia), 2000
• Special Jury Award, The May Lady, Fajr Int’l FF (Iran), 1998
• Honorable Mention, FIPRESCI Award, The May Lady, Montreal Int’l FF (Canada), 1998
• Prince Claus Prize for Culture and Development (The Netherlands), 1998
• “Il Sindaco di Firenze” Peace and Freedom Award (Italy), 1998
• Best Asian Woman Director, The Blue Veiled, India Int’l FF (India), 1996
• FIPRESCI Award, The Blue Veiled, Tessaloniki Int’l FF (Greece), 1996
• Bronze Leopard, The Blue Veiled, Locarno Int’l FF (Swiss) 1995
• Best Script & Best Supporting Actress, The Blue Veiled, Fajr Int’l FF (Iran), 1994
• Best Director & Best Musical Score, Nargess, Fajr Int’l FF (Iran), 1991
• Best Supporting Actor, Canary Yellow, Fajr Int’l FF (Iran), 1988
• Best Film, Off the Limits, Comedy Int’l FF (Italy), 1987

PROFESSIONAL DISTINCTIONS

• Jury Member, Dhaka Int’l FF Bangladesh), 2020
• President of the jury, Herat Film Festival (Afghanistan), 2019
• Jury Member, Mumbai Int’l FF (India), 2018
• Jury Member, Venice Int’l FF (Italy), 2017
• Academy Oscars Member, Writers Branch, 2017
• President of the jury, Vesoul Film Festival (France), 2017
• President of the jury, Prague Iranian Film Festival (Czech), 2017
• President of the jury, Image Film Festival (Iran), 2016
• President of the jury, Cinema Verite Int’l FF (Iran), 2013
• President of the jury, Busan Int’l FF (South Korea), 2013
• Master Class, California Institute of the Arts (USA), 2013
• Jury Member, Shanghai Int’l FF (China), 2012
• Jury Member, Dubai Int’l FF (UAE), 2010
• Jury Member, Asiatic Film Mediale Festival (Italy), 2010
• Master Class, Walker Art Center, Minneapolis (USA), 2010
• Jury Member, Fribourg Int’l FF (Switzerland), 2010
• Jury Member, Urban Int’l FF (Iran), 2009
• Producer, Heiran, feature-film (Iran), 2009
• Producer, Second House, documentary (Iran), 2008
• Honorary Doctorate, University of London (Iran), 2008
• Master Class, School of Oriental and African Studies, SOAS (England), 2008
• Master Class, Geneva University of Art & Design (ESBA), 2008
• Jury Member, Cinema Verite Int’l FF (Iran), 2007
• Jury Member, Women’s Film Festival (Iran), 2006
• Jury Member, Asian Cinema, Fajr Int’l FF (Iran), 2006
• Jury Member, Art University Student Festival (Iran), 2005
• Director, Sony Young Directors Film Festival (Iran), 2003
• Jury Member, Asia Pacific Film Festival (Iran), 2003
• Jury Member, Sony Young Directors Film Festival (Iran), 2002
• Jury Member, Moscow Int’l FF (Russia), 2002
• Jury Member, Cairo Int’l FF (Egypt), 2002
• Jury Member, Fajr Int’l FF (Iran), 2001
• Jury Member, Montreal Int’l FF (Canada), 2001
• Jury Member, Youth Film Festival (Iran), 2001
• Jury Member, Student Film Festival (Iran), 1999
• Jury Member, Leipzig Int’l FF (Germany), 1999
• Jury Member, Tokyo Environmental Int’l FF, (Japan), 1998
• Jury Member, New Delhi Int’l FF (India), 1998
• Jury Member, Student Film Festival (Iran), 1997
• Jury Member, Locarno Int’l FF (Swiss), 1996
• Jury Member, Turin Int’l FF (Italy), 1995
• Jury Member, Center for Iranian Film Directors (Iran), 1993
• Jury Member, Roshd Film Festival (Iran), 1992
• Jury Member, Fajr Int’l FF (Iran), 1990

KÂRÂ FILM STUDIO

KARA Film Studio is a name under which a group of professional Iranian filmmakers express their common concerns regarding humanistic, social and cultural issues through documentary films, while maintaining their own diverse and distinct vision. In KARA Film Studio, filmmakers in small or large numbers, gather together and, starting with an outline of a documentary project, complete the work in a professional manner.

KARA Film Studio operates under a number of principles: personal financing or financing through private sector; working as teams and in a workshop from development of an idea through to its completion and distribution; giving young and talented documentary filmmakers an opportunity to work with professionals and assistance with their development, due respect for the audience by maintaining high standards in the production phase, endeavor to provide improved and increased means of screening films inside and outside Iran; …
Rakhshan Banietemad and Mojtaba Mirtahmasb are the constant participants in this group.

Purchasing €2.9 billion of goods from Iran, Italy was the biggest importer of Iranian products in 2018, Tasnim news agency reported on Saturday, citing the data released by European Union’s statistics agency Eurostat.

The country’s imports from Iran in 2018 was 31 percent of the total of European countries’ imports from Iran. However, the figure registered an annual decrease of 13 percent in 2018 from its previous €3.36 billion in 2017.

According to the data published by Eurostat, Germany with exports of €2.7 billion to Iran, i.e. 30 percent of the total exports of EU to Iran, was the main European exporter to Iran last year, the same report added.

Germany’s exports to Iran showed eight percent decrease in 2018 in comparison with the preceding year when the figure stood at €2.95 billion.

In 2018, after Italy, Spain (€2.02 billion) and France (€1.53 billion) were respectively the major importers from Iran while Italy (€1.68 billion) and France (€895 million) were the main exporters after Germany to Iran.

The 36th Fadjr International Theater Festival (FITF) ended in a ceremony after announcing the winners in different categories.

In the international competition section Best Play Award was jointly presented to ‘The History Boys’ by Ashkan Khalilnejad, and ‘Melancholy of the Dragons’ by Philippe Quesne of France, honaronline.ir wrote.

Khalilnejad also received the Best Directing Award and Best Stage Design Award for ‘The History Boys’.

Mehdi Ziachamani won the Best Playwriting Award for ‘The Omissions’.

Special Jury Award for Best Dramatic Composition and Best Acting Award (male) went to Masoud Delkhah for ‘Mephisto’ and Morteza Esmaeil-Kashi respectively.

The Best Costume Design Award went to Neda Nasr for ‘The List of the Dead’.

Best Offstage Play (Unusual Places) was given to ‘Guilty Landscapes’ by Dries Verhoeven (the Netherlands).

The 36th Fadjr International Theater Festival was held from January 18 to 28 in Tehran.

Winners

Best Play Award:

Jointly won by ‘The History Boys’ by Ashkan Khalilnejad, and ‘Melancholy of the Dragons’ by Philippe Quesne, France

Best Directing Award:

Ashkan Khalilnejad for ‘The History Boys’ – Iran, Tehran

Best Playwriting Award:

Mehdi Ziachamani for ‘The Omissions’ – Iran, Mashhad

Special Jury Award for Best Dramatic Composition:

Masoud Delkhah for ‘Mephisto’ – Iran, Tehran

Best Acting Award (male):

Morteza Esmaeil-Kashi for ‘Mephisto’ – Iran, Tehran

Best Acting Award (female):

Katja Bürkle for ‘Hamlet’ – Germany

Best Stage Design Award:

Ashkan Khalilnejad for ‘Boys of History’ – Iran, Tehran

Best Costume Design Award:

Neda Nasr for ‘The List of the Dead’ – Iran, Tehran

Best Music/Sound Design Award:

Valentijn Dhaenens for ‘Big Mouth’ – Belgium

Best Offstage Play (Unusual Places):

‘Guilty Landscapes’ by Dries Verhoeven – The Netherlands

Special Mention:

Remote Tehran, Rimini Protocol Company – Germany

The 36th Fajr International Theater Festival was held January 18 to 28 in Tehran.

German industrial group Siemens is about to undertake financing rail and power plant projects worth 3 billion euros in Iran, a senior Iranian official says.

“On a trip to Germany, we had discussions about Siemens’ participation in Iran’s railway and power plant projects,” Deputy Minister of Road and Urban Development for International Affairs Asghar Fakhriyeh-Kashan said on Tuesday.

In the rail sector, Iran is going to buy a number of wagons from Siemens for use on a high-speed line between Tehran, Qom and Isfahan, he said. Siemens will also cooperate on providing signaling equipment and installing communication signs.

“Through financing a number of construction projects, Siemens plans to enter into a joint venture with Iran’s MAPNA company both in the power plant and locomotive manufacturing sector in order to boost domestic production,” he said.

Last month, the Export-Import Bank of China (EXIM) signed a $1.5 billion deal to finance the electrification of a high-speed rail line between the Iranian cities of Tehran and Mashhad.

EXIM’s Vice President Sun Ping said in Tehran that the institution had provided loans for 26 Iranian projects in the electricity, petrochemicals, non-ferrous metals, oil and gas sectors, worth $9 billion.

China Railway Group Limited (CREC) is carrying out the $1.8 billion electrification of the high-speed rail link between Tehran, Qom and Isfahan.

Iran has announced plans to splurge up to $25 billion over the next 10 years on the modernization and expansion of its railway network.

Siemens was one of the first major companies to agree on a deal with Iran after the lifting of sanctions in January 2016, signing a $1.6 billion memorandum of understanding on Iran’s rail infrastructure and a long-term roadmap with MAPNA on the power sector.

The agreement included a license for manufacturing F-class gas turbines in Iran, under which more than 20 gas turbines and associated generators will be delivered over the next four to five years.

Iran says a host of European giants are bidding for the development of its South Azadegan oil field – which was once considered as the world’s biggest oil find after it was discovered over 15 years ago.

Nouroddin Shahnazizadeh, the managing director of the Petroleum Development and Engineering Company of Iran, told the domestic media that the leading European bidders for the project include Total (France), Shell (UK/Hollande), Eni (Italy), Wintershall (Germany), Rosneft (Russia), OMV (Austria) and Maersk (Denmark).

Shahnazizadeh added that several Asian companies including CNPC and Sinopec (China), ONGC (India), Pertamina (Indonesia), Petronas (Malaysia) and PTTP (Thailand) would also participate in a tender over South Azadegan.

The official said officials from the bidding companies had visited Iran for three days to become fully aware about the conditions of the project. Almost a dozen of them, he added, had been even taken to visit the project site.

Nevertheless, Shahnazizadeh did not indicate when the tender over South Azadegan would be held.

Iran has repeatedly postponed the tender over the giant field which it jointly shares with Iraq.

Reuters quoted an unnamed Iranian official as saying in June that the bidding over the project had been delayed by another few months.

This, the unnamed official told Reuters, was meant to allow energy companies more time to study the field.

Iran discovered Azadegan oil field in 1999 in what was the country’s biggest oil find in decades. The country accordingly teamed up with Inpex to push the project toward development. However, the Japanese company later quit the project in what appeared to be the result of US sanctions against Iran.

The NIOC later divided the project into South Azadegan and North Azadegan and both were awarded to China’s CNPC when Iran’s former president Mahmoud Ahmadinejad (2005-2013) was in office.

The media reported in 2014 that Iran’s Oil Minister Bijan Zangeneh had sidelined CNPC from South Azadegan due to its protracted delays in developing the field.

South Azadegan is believed to hold an in-place oil reserve of about 33.2 billion barrels and its recoverable resources estimated at about 5.2 billion barrels.

The head of Iran National Carpet Center (INCC) said a total of 730 domestic companies are expected to take part in the 26th edition of the world’s largest handmade carpet expo which is scheduled to open in Tehran on August 23.

Hamid Kargar added the Iranian capital will play host to the 26th Iran Handmade Carpet Exhibition — the biggest of its kind worldwide — during August 23-29, IFP News reported.

He said the expo will be held in Tehran International Fairground.

Kargar added the exhibition will be held in 14 halls spanning over an area of more than 30,000 square meters.

A hall will be allocated to specialized entrepreneurs, he said, adding they will be provided with free pavilions in Hall No. 5. “[A number of] foreign traders who are among the customers of handwoven Iranian carpets, particularly those from Iran’s export targets, have been identified and invited to visit the expo.”

He put the number of foreign traders at 91, of which 38 are Iranian carpet merchants living abroad and 14 are from the US.

Kargar said concurrent with the exhibition, the Seventh Top Carpet Exhibition and Festival will be held in Tehran with the aim of creating new intricate carpet patterns and improving the process of carpet production.

He added the fest’s slogan is ‘Modernization and Maintaining the Market, While Focusing on Originality of Iranian Carpet’.

Kargar said rugs made by Iran’s nomads as well as antique and modern carpets will be featured in the festival, adding those judged as top works will be put on display in a hall.

“A carpet is currently being woven in Iran based on a speech by [Iranian President] Hassan Rouhani in the United Nations which will be unveiled at the expo. The carpet will be presented as a gift to one of the international institutes after its weaving is completed.”

He said different methods for decorating spaces with handwoven Iranian carpets will also be presented to the visitors in the exhibition in cooperation with INCC and the National Council of Furniture and Decoration and Correlated Industries.

Kargar noted that to increase the adaptability of handwoven Iranian carpet, a book titled ‘Farsh Man — The Aesthetics of Persian Carpet’ will be unveiled in hall No. 5.

In addition, he said, a number of workshops will be held during the six-day exhibition, in the morning and afternoon, to familiarize visitors with the designing and production processes of Iranian carpets in different parts of the country.

The INCC head added moreover, the processes involved in the making of a handwoven carpet such as designing, restoration and washing will be demonstrated to visitors in this expo.

“Following the implementation of the Joint Comprehensive Plan of Action (JCPOA) [on January 16, 2016], Iran resumed carpet exports to the US. During 2010-2016, Iran failed to directly export any carpet to the US due to [Western] sanctions. This was while in 2009, the US was the target of over 16 percent, or more than $80 million, of Iran’s carpet exports. After the implementation of the JCPOA, Iran exported its first carpet collection to the US from Germany.”

He added in 2016, Iran’s overseas sales of carpet amounted to $365 million, of which $95 million were sold to the US.

“We expect that Iran’s carpet exports to the US would increase again after a six-year hiatus. This, however, calls for continuous monitoring of the activities of our rivals, particularly India and Pakistan, in international carpet markets. It is also important to screen the background of our present-day customers in the market. We are also required to make optimum use of means of advertisement and establish connection with foreign traders.”

He said according to the figures released by Iran’s Customs Administration, the country’s carpet exports reached $89 million during March 21-July 22, 2017, indicating an increase of more than 3.7 percent compared to the figure for the same period last year.

Kargar added establishing a carpet start-up is also on INCC’s agenda.

“According to INCC statistics, there are one million carpet weavers in Iran, of whom 700,000 are full-time workers and the rest are part-time employees.

He dismissed allegations that handwoven Iranian carpets are expensive, noting such carpets have considerable price diversity.

Handwoven carpets made by Iran’s nomads are both very beautiful and precious and sold at reasonable prices.

Iran signed a multibillion dollar deal on Monday with French oil giant Total and Chinese state oil company CNPC to further develop the country’s giant South Pars Gas Field in cooperation with Iran’s Petropars.

The first major Western energy investment since sanctions against Tehran were lifted will cost up to $5 billion, with production expected to start within 40 months, an Oil Ministry source said, Reuters reported.

The US and other world powers lifted sanctions after the country pledged to roll back its nuclear program.

With the 20-year deal, Total is now returning to Iran, where it first began operating in the 1990s. Total CEO Patrick Pouyanné said in a statement on Monday that the investment would be “in strict compliance with applicable national and international laws”.

The US still has restrictions in place that block most American companies from investing in Iran. And some Western companies have been reluctant to jump in since Iran still faces sanctions that prevent firms from transacting with Iran in US dollars.

Total estimates the first phase of the project will cost around $2 billion. It is taking a 50.1 percent stake in the South Pars project. CNPC will own 30 percent while the other 19.9 percent will go to Petropars.

The project will have a production capacity of two billion cubic feet per day, or 400,000 barrels of oil equivalent per day including condensate, according to Total.

Iran’s Oil Ministry predicts the project will eventually produce gas products worth $54 billion based on current prices. The gas will start flowing into the Iranian market in 2021.

Iran has significantly ramped up its energy production since the sanctions were relaxed.

Figures from OPEC show Iran has boosted its daily crude oil production by more than 33 percent since 2015.

Iran sits on nine percent of the world’s proven oil reserves and 18 percent of the planet’s natural gas, according to data from BP’s Statistical Review of World Energy.

Iran and Qatar share the South Pars field.

Iran has signed a flurry of deals with Western companies over the past year since the easing of international sanctions on Tehran after an accord was reached over its nuclear program.

Iran needs foreign investment to repair and upgrade its oil and gas fields. It also seeks the transfer of technology to its oil industry after a decade of sanctions.

Iran has named 34 companies from over a dozen countries as being eligible to bid for oil and gas projects using the new, less restrictive contract model.

The firms include Shell, France’s Total, Italy’s Eni, Malaysia’s Petronas and Russia’s Gazprom and Lukoil, as well as companies from China, Austria, Japan and other countries.

Russia’s Zarubezhneft signed an MoU to conduct feasibility studies on two joint fields in the west of the country.

Norway‘s International Aker Solutions Company signed an MoU to modernize Iran’s oil industry.

In May 2016, Austria’s OMV signed an MoU for projects in the Zagros area in western Iran and the Fars field in the south.

South Korean Daewoo Engineering and Construction (Daewoo E&C) signed an MoU to construct an oil refinery in Bandar Jask, on the southern coast of Iran.

Italy’s Saipem signed MoUs to cooperate on pipeline projects, upgrading of refineries and development of Tous gas field in the northeastern province of Khorasan Razavi.

Norwegian oil and gas company DNO said it was the second Western energy company after Total to sign a deal with Iran under which it agreed to study the development of the Changuleh oilfield in western Iran.

Lukoil, Russia’s second biggest oil producer, hopes to reach a decision on developing two new oilfields in Iran.

Germany’s Siemens AG signed an MoU in May to overhaul equipment and facilities at Iran’s oil operations and refineries.

BASF’s Wintershall oil and gas exploration subsidiary signed an MoU with the National Iranian Oil Company in April 2016.

President Rouhani:
Developing South Pars Phase 11 not only an economic contract, but also a scientific, technological, management cooperation

President Rouhani met with the Chairman and CEO of France’s Total company and described South Pars region as an important centre for developing international cooperation with Iran in the field of energy-technology.

In the meeting that was held on Monday in Tehran, Dr Rouhani told Total’s Patrick Pouyanné: “Due to the good potentials and hard-working young men in Iran, the contract of developing Phase 11 of South Pars is not only an economic one, but also a scientific, technological and management cooperation”.

Total CEO: We seek a long-term cooperation with Iran

“The Islamic Republic of Iran and France have always had good relations and cooperation with each other,” he continued saying.

Referring to France’s position in economy and energy technology, he added: “The signing and execution of this contract will be a significant step in development of economic and technological cooperation between the two countries”.

Stating that the 11th administration has attempted to finalise the Joint Comprehensive Plan of Action (JCPOA) to clear the path for economic cooperation between major companies and Iran, the President said: “Fortunately, this political will from the Iranian side and among P5+1 countries paved the way for this agreements with Total”.

President also referred to his Europe and France visit after the signing of JCPOA, adding: “In Paris, there was a good political will among the authorities of both countries to develop cooperation and important agreements were signed between the two countries to deepen ties and cooperation”.

“It is our policy to cooperate with major companies such as Total,” said Dr Rouhani, adding: “Currently, projects in gas and oil worth roughly $200bn are ready to be invested on and major foreign companies can cooperate in these projects”.

“We must work hard to achieve peace and stability in the region serving economic progress and development of the region, because scientific and developmental cooperation can help us combat ignorance and poverty as the bedrocks of terrorism expansion,” he continued.

The President also expressed hope that with the new agreements and cooperation in the field of gas, oil and petrochemicals, Iran and France take considerable steps in developing ties.

During the meeting, the Chairman and CEO of France’s Total company Patrick Pouyanné also expressed happiness over meeting the President of the Islamic Republic of Iran and described the contract as a very important one, saying: “Today, we are very happy that we could finalise and execute the contract with the help of the authorities of the two countries”.

Stating that the JCPOA agreement has paved the way for further development of relations between European countries and Iran, he said: “We are optimistic about our cooperation with Iranian companies”.

“We seek a long-term cooperation with Iran,” continued Pouyanné.

The 8th International Tehran Sculpture Symposium is underway at the Iranian capital city’s Milad Tower with the participation of sculptors from Iran and several other countries.
The eighth international sculpture symposium evaluate artworks which have been proposed to the secretariat of the symposium by sculptors from around the world.

Twelve artists selected from 189 applicants from 53 countries along with several Iranian sculptors will compete in the various sections of the event.

Among the competitors are Klaus F. Hunsicker from Germany, Alexey Kanis from Russia, Oscar Aguirre Comendador from Spain, Umit Turgay Durgun form Turkey, Francesca Bernardini from Italy, Valerian Jikia from Georgia, Genti Tavanxhiu from Albania, Ana Maria Negara from Romania, Michael Levchenko from Ukraine, Tatsumi Sakai from Japan, Zdravko Zdravkov from Bulgaria, and Emin Petrosyan from Armenia.

Winners of the 35th Fajr International Film Festival (FIff) were announced, with ‘The Home’ from Iran snatching Golden Simorgh for Best Film in the main competition section.

The festival’s awards ceremony took place late Thursday at Tehran’s Vahdat Hall.

According to fajriff.com, Iran’s Culture Minister Reza Salehi-Amiri, Foreign Minister Mohammad Javad Zarif, Director of Iranian Cinema Organization Mohammad-Mehdi Heidarian, plus a large number of A-list Iranian and foreign film directors, producers, critics, journalists, academics, and stars attended the ceremony.

Addressing the participants, the secretary of the festival, Reza Mirkarimi said, “I would like to extend my gratitude to all those who worked round the clock to help me make this up-and-coming event possible. We are now more than ever determined to turn FIff into an annual event for those vying for global peace, justice and dignity both in their films and in their workings.”

Hosted by prominent actor Ashkan Khatibi, the ceremony was broadcast live in both English and Persian.

Full list of winners follows

International Competition (Cinema of Salvation)

Golden Simorgh for Best Film: ‘The Home’ by Asghar Yousefinejad, Iran

Silver Simorgh for Best Director: ‘Ivan D. Gaona, Guilty Men’, Colombia

Silver Simorgh for Best Actress: ‘Margita Gosheva, Glory’, Bulgaria

Silver Simorgh for Best Actor: ‘Stefan Denolyubov, Glory’, Bulgaria

Silver Simorgh for Best Script: ‘The Home’, Asghar Yousefinejad, Iran

Silver Simorgh for Special Jury Prize — Art Direction and Cinematography: Zhu Jinjing (Cinematography), ‘Wang Tou (Art Director), ‘Mr. No Problem’, (China, France)

Silver Simorgh for Best Short Film: ‘Online Shopping’ by Qasideh Golmakani, Iran

Members of the panel of jury in this section were: Florian Gallenberger (Germany), Jessica Woodworth (USA), Lech Majewski (Poland), Mieko Harada (Japan), Uberto Pasolini (Italy), Fatemah Motamed-Aria‎‎ (Iran), and Rasoul Sadrameli (Iran).

Muhammad al-Ameen Award

‘Babaei’, Mozaffar Hosseinkhani Hezaveh, Iran

Asian Film Awards

Best Asian Film: ‘Returnee’ by Sabit Kurmanbekov, Kazakhstan

Best Asian Director: Shahrbanoo Sadat, ‘Wolf and Sheep’, Afghanistan/Denmark/France/Sweden

Best Asian Short Film: ‘Not Yet’ by Arian Vazirdaftari, Iran

Members of the panel of jury in this section were: Hamida Omarova (Azerbaijan), Omirbaev Darezhan Karazhanovich (Kazakhstan), Zeki Demirkubuz (Turkey), Nejib Ayed (Tunisia), and Kamal Tabrizi (Iran).

Interfaith Award

‘Knife in the Clear Water’ by Wang Xuebo, China

Jury members are Michał Legan (Poland), Katia Malatesta (Italy) and Hojatollah Ayoubi (Iran).

NETPAC Prize

‘The Home’ by Asghar Yousefinejad, Iran

The members of the jury in this section were: Anne Demy-Geroe (Australia), Rolando B. Tolentino (Philipines) and Houshang Golmakani (Iran).

Presided over by Reza Mirkarimi, the 35th edition of FIff took place from April 21 to 28 in Tehran.

Iran’s President Hassan Rouhani inaugurated five new phases of the South Pars Gas Field on Sunday which were completed at a cost of $20 billion, local media reported.

The inauguration of phases 17-21 paves the way for Iran to overtake neighboring Qatar in production from the offshore gas field which it shares with Iran, Iranian officials said, reported AFP.

Iran has so far developed 12 phases in the field – phases 1, 2&3, 4&5, 6-8, 9&10, 15&16.  The remaining phases are 11, 12, 13, 14 and 22-24.

“Our production has reached 575 million cubic meters per day,” said Rouhani at the ceremony.

Iran’s total gas production is 885 million cubic meters per day.

It is estimated that production from every two phases of South Pars would generate $3.5-$4 billion for Iran. Reports further said that the total investments in phases that were inaugurated today would be reimbursed within less than two years.

“At the height of sanctions, with the help of Iranian engineers and workers, we succeeded in developing 11 phases of South Pars,” noted Oil Minister Bijan Namadar Zanganeh.

South Pars is the largest known gas reserves in the world. Iran has the largest gas reserves in the world, and the fourth-largest oil reserves.

Each of the new projects produces 28 million cubic meters per day, Zanganeh told reporters late Saturday.

Qatar announced earlier this month that it was ending a 12-year ban on new projects at its section of the shared field. Qataris call their part of the deposit the North Field, which together with South Pars forms the world’s largest reserves of non-associated gas. Iran has no plans to impede Qatar over its activities at North Field, Zanganeh said. “They can carry out their development projects as we do ours,” he said.

 Iranian President Hassan Rouhani inaugurated Phase 19 development project of the South Pars gas field (SP. 19).

 

Iran is targeting the export of 50 million cubic meters of gas per day to neighboring Iraq once that country can arrange for a letter of credit to finance the purchase, Zanganeh said.

Since the nuclear deal went into effect in January 2016, Iran has increased oil production from 2.6 million barrels per day (mbd) to 3.9 mbd, while more than doubling its oil exports.

Iran has signed a flurry of deals with Western companies over the past year since the easing of international sanctions on Tehran after an accord was reached over its nuclear program.

Iran needs foreign investment for repairs and upgrading of its oil and gas fields. It also seeks the transfer of technology to its oil industry after a decade of sanctions.

In November 2016, France’s Total became the first oil major to sign a big deal with Tehran since the lifting of sanctions and agreed to help it develop the world’s largest gas field, South Pars.

Shell signed a provisional deal in December to develop Iranian oil and gas fields of South Azadegan, Yadavaran and Kish.

Iran has named 29 companies from more than a dozen countries as being eligible to bid for oil and gas projects using the new, less restrictive contract model.

The firms include Shell, France’s Total, Italy’s Eni, Malaysia’s Petronas and Russia’s Gazprom and Lukoil, as well as companies from China, Austria, Japan and other countries.

Russia’s Zarubezhneft signed an MoU for a feasibility study on two joint fields in the west of the country.

Norway’s International Aker Solutions Company signed an MoU to modernize Iran’s oil industry.

Last May, Austria’s OMV signed an MoU for projects in the Zagros area in western Iran and the Fars field in the south.

South Korean Daewoo Engineering and Construction (Daewoo E&C) signed an MoU to construct an oil refinery in Bandar Jask, on the southern coast of Iran.

Italy’s Saipem signed MoUs to cooperate on pipeline projects, upgrading of refineries and development of Tous gas field in the northeastern province of Khorasan Razavi.

Norwegian oil and gas company DNO said it was the second Western energy company after Total to sign a deal with Iran under which it agreed to study the development of the Changuleh oilfield in western Iran.

Lukoil, Russia’s second biggest oil producer, hopes to reach a decision on developing two new oilfields in Iran.

Germany’s Siemens AG signed an MoU in May to overhaul equipment and facilities at Iran’s oil operations and refineries.

BASF’s Wintershall oil and gas exploration subsidiary signed an MoU with the National Iranian Oil Company in April 2016.